Saint Jerome in His Study (After Antonello da Messina)

Saint Jerome in His Study (After Antonello da Messina) 2025

Oil, acrylic , oil pastel and chalk paint on canvas

150 x 150 cm

#AntonellodaMessina #SaintJerome #painting

Rambling Starlight

Rambling Starlight (Redemption of Christ), 2024

Oil, acrylic, and chalk paint on canvas

150 x 150 cm

Like a haiku in paint—three abstract gestures: a star, a moon, a figure. And what of the fragile moment before transformation—when a forgotten dream might take flight again? In this cosmic reverie, we finally meet.

Ζήσιμος Λορεντζάτος, Αλφαβητάρι Haiku, 1969 
5-7-5” Show Curated by @artflyernet 

#575exhibition #haiku #GeorgeSeferis#zissimoslorentzatos #artflyer #painting #kostisvelonis #rambling#starlight #poem #ζησιμοςλορεντζατος

People Were Mostly Weather

People Were Mostly Weather, 2025
Acrylic, oil, colour pencil, oil pastel & chalk on canvas
130 × 130 cm
Not bodies, but forecasts
@perasmaistanbul
Curated by @burcufikretoglu & @gizemnazkudunoglu #meteorology #weather#painting #kostisvelonis #forecast
Photo:@leylapekin

Monument to a Shadow at My Studio at 2AM, 2025

Monument to a Shadow at My Studio at 2AM, 2025 

chalk paint, acrylic and plywood on wood panel 
200 x 130 cm 
For the ones who never arrive, but never leave
@perasmaistanbul
Cur.by @burcufikretoglu , @gizemnazkudunoglu
“Folding the sea into dresses that dissolve like salt” opens june 29th on Leros
#Monument #Shadow #Studio #2AM #night#perasmaistanbul #silhouette 

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— at perasmaistanbul. 

Time is a Child

 

GALERIST and Perasma is presenting ‘Time is a Child’, a group exhibition that will take place on the Island of Leros, Greece until 30th of July 2023. 

Taking its name from the words attributed to Heraclitus: “Time is a child playing draughts by the sea”, an expression defining his perception of the fleeting and ever-changing nature of time, the exhibition brings together works by artists who reflect on the ceaseless possibilities inherent to the concept of time.

Works by Alice Guittard, Ayça Telgeren, Burcu Yağcıoğlu, Elif Uras, Evgenia Vereli, Kostis Velonis, Lara Ögel, Malvina Panagiotidi, Maria Joannou, Martin Creed, Merve İşeri, Nazım Ünal Yılmaz, Nil Yalter, Nuri Kuzucan, Rashid al Khalifa, Savvas Laz, Serkan Özkaya, Serra Duran, Silva Bingaz, Stefania Strouza, William Kentridge, Yeşim Akdeniz and Yusuf Sevinçli are brought together within the building, and they gush out to its outdoor area nesting in between the eucalyptus and pine trees surrounding it.

The Cheerful Ones

The Cheerful Ones, 2023
Acrylic, oil, pencil, and oil pastel on canvas

100 x 100 cm 

#Hilaria #pagan #Cheerful #Cybele #painting 

 

Late Spring Morning, First Summer Night

Late Spring Morning, 2022/ Acrylic and oil on wood 

First Summer Night, 2022/ Acrylic and oil on wood 

120 x 60 cm

#Seasons #Almanac #Diaries #Almanachdesbergers #weather #field #kostisvelonis #ShepherdsDiary #painting # vertical#horizon #Spring #Summer #Days #Nights #Hμερολόγιοτωνβοσκών

Perished Sun

Perished Sun, 2018

Oil and acrylic on canvas 

150 x 150 cm

Άσπρη φιγούρα

Αλέκος Φασιανός, Άσπρη φιγούρα, Λάδι σε μουσαμά, 58,5 x 43,5 cm, 1960

#AlekosFassianos #Fassianos #figures #painting #φασιανός

«Γλυπτική είναι αυτό που σκοντάφτεις όταν κάνεις πίσω για να δεις ένα ζωγραφικό έργο» (Αχίλλειος πτέρνα)

«Γλυπτική είναι αυτό που σκοντάφτεις όταν κάνεις πίσω για να δεις ένα ζωγραφικό έργο» (Αχίλλειος πτέρνα)

 

/ “Sculpture is what you bump into when you back up to see a painting”

Ειδική βιβλιογραφία, σημειώσεις

 

 

Τέχνη στο συγκείμενο (Art in context ) 

Η σχολή του Slapstick/ Slapstick School

ΑΣΚΤ -Χειμερινό εξάμηνο/ Εαρινό εξάμηνο

Αμφιθέατρο νέας βιβλιοθήκης,  Πειραιώς 256

Κωστής Βελώνης

 

 

Foster, Hal. The Return of the Real Cambridge, Mass.: MIT Press, 1996.  

 

Zizek, Slavoj. The Plague of Fantasies, London: Verso, 1997. 

 

 Marcoci, Roxana. The Anti-Historicist Approach: Brancusi, "Our Contemporary"
  Art Journal,  Summer, 2000, Vol. 59, No. 2 (Summer, 2000), pp. 18-35 

https://www.jstor.org/stable/778098  

 

Judd, Donald, Specific Objects, Arts Yearbook 8, 1965.

https://monoskop.org/images/3/31/Judd_Donald_1965_2005_Specific_Objects.pdf

 

Kellein, Thomas. Donald Judd: Early Work, 1955-1968, New York: D.A.P., 2002. 

 

 

Agamben, Giorgio.” Introductory Note on the Concept of Democracy” στον συλλογικό τόμο Democracy in What State?, Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross and Slavoj Žižek,  μτφρ. William McCuaig, Columbia University Press, 2011.

 

Αριστοτέλης, Πολιτικά, μτφρ. Π. Λεκατσάς, Αθήνα: Ι. Ζαχαρόπουλος, 1939.

 

 

Bishara, Hakim. Monolith-mania Continues as Artists Come Forward to Claim Credit for Sculptures, Hyperallergic.com, Dec. 8, 2020.

https://hyperallergic.com/606128/monolith-mania-continues-as-artists-come-forward-to-claim-credit-for-sculptures/?utm_content=buffer7c505&utm_medium=social&utm_source=twitter&utm_campaign=buffer

 

Brascusi’s Studio

https://www.centrepompidou.fr/en/collections/brancusis-studio

 

Burton, Tim, On Brancusi, NYC:  The Museum of Modern Art, 1989

https://assets.moma.org/documents/moma_catalogue_2133_300062903.pdf

 

 

Castañeda, Luis M. “Doubling Time,” Grey Room 51 (Spring 2013): 12–39. 

http://www.greyroom.org/issues/51/14/doubling-time/abstract/

 

 

Detienne Marcel. Συγκρίνοντας τα μη συγκρίσιμα,  μτφρ. Πελαγία Μαρκέτου, Αθήνα : Μεταίχμιο, 2003. 

 

Detienne, Marcel, Vernant, Jean Pierre. Μήτις : Η πολύτροπη νόηση στην αρχαία Ελλάδα, μτφρ. Ιωάννα Παπαδοπούλου, Αθήνα : Ζαχαρόπουλος, 1993. 

 

 

Holmes, Brooke. The Iliad's Economy of Pain, Transactions of the American Philological Association, Volume 137, Number 1, Spring 2007, pp. 45-84

https://doi.org/10.1353/apa.2007.0002 

Hess, Thomas B., Barnett Newman, NYC: Museum of Modern Art, 1971.

 

Jones, Jonathan.  Newman's Broken Obelisk: the end of a political dream, Guardian 22 oct. 2008 

 

https://www.theguardian.com/artanddesign/jonathanjonesblog/2008/oct/22/barnett-newman-obelisk  

 

Όμηρος, Ιλιας, ραψωδίες Α-Ω, μτφρ. Δημήτρης Μαρωνίτης,  Αθήνα: Άγρα, 2012. 

 

Mouffe, Chantal.  «Για μια αγωνιστική Δημόσια Σφαίρα» στον συλ­λο­γι­κό τόμο Απραγματοποίητη δημοκρατία,  Stuart Hall Michael Hardt, Ernesto Laclau, Manuel De Landa, Chantal Mouffe, Immanuel Wallerstein, Slavoj Zizek, μτφρ. Ελε­ά­να Πανά­γου, επιμ. Θεό­φι­λος Τρα­μπού­λης, Αθήνα : Futura,  2010.

 

Newman, Barnett. Broken Obelisk 

http://www.barnettnewman.com/broken-obelisk/   

 

Newman, Barnett. Achilles 

https://kostisvelonis.blogspot.com/2019/11/achilles.html

 

 King, Martin Luther. I have a dream Speech, delivered 28 August 1963, at the Lincoln Memorial, Washington D.C.

 

https://www.archives.gov/files/press/exhibits/dream-speech.pdf

 

Krauss, Rosalind. Sculpture in the Expanded Field
, October, Vol. 8, Spring, 1979, 30-44.

http://www.onedaysculpture.org.nz/assets/images/reading/Krauss.pdf

 

 

Polcari, Stephen. Barnett Newman's Broken Obelisk, Art Journal, Vol. 53, No. 4, Sculpture in Postwar Europe and America, 1945-59 , Winter, 1994, pp. 48-55

 https://www.jstor.org/stable/777561?seq=1#metadata_info_tab_contents   

 

Rosenberg, Harold. Broken Obelisk and Other Sculptures,  

Index of Art in the Pacific Northwest, Number 2. Henry Art Gallery / University of Washington Press ,1971.

 

Velonis, Kostis. Conflicts in the City: Between Hypsipolis and Apolis, State of South spring / summer 2014

https://www.academia.edu/13654296/Conflicts_in_the_City_Between_Hypsipolis_and_Apolis  

Vernant, Jean Pierre. Ο «καλός θάνατος» του Αχιλλέα,  Ανάμεσα στον μύθο και την πολιτική, μτφρ. Μαιρη I. Γιόση, Αθήνα : Σμίλη, 2003.

 

Vernant, Jean Pierre. Περί ορίων: Ανάμεσα στον μύθο και την πολιτική ΙΙ,  μτφρ. Μαίρη Ι. Γιόση,  Αθήνα : Σμίλη, 2008.