Pierrot in Love, 2020
Wood, plywood, clay, acrylic, marble
143 x 45 x 60 cm
Tuesday, March 31, 2020
Tuesday, March 24, 2020
Die Seiltänzer
Sie gehen über den gespannten Seilen
Georg Heym
Saturday, March 21, 2020
On Negative Capability: Letter to George and Tom Keats, 21, 27 December 1817
Hampstead Sunday
22 December 1818
My dear Brothers
I must crave your pardon for not having written ere this [ . . . ] [T]he excellence of every Art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with Beauty & Truth—Examine King Lear & you will find this exemplified throughout; but in this picture we have unpleasantness without any momentous depth of speculation excited, in which to bury its repulsiveness—The picture is larger than Christ rejected—I dined with Haydon the sunday after you left, & had a very pleasant day, I dined too (for I have been out too much lately) with Horace Smith & met his two brothers with Hill & Kingston & one Du Bois, they only served to convince me, how superior humour is to wit in respect to enjoyment—These men say things which make one start, without making one feel, they are all alike; their manners are alike; they all know fashionables; they have a mannerism in their very eating & drinking, in their mere handling a Decanter—They talked of Kean & his low company—Would I were with that company instead of yours said I to myself! I know such like acquaintance will never do for me & yet I am going to Reynolds, on wednesday—Brown & Dilke walked with me & back from the Christmas pantomime. I had not a dispute but a disquisition with Dilke, on various subjects; several things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in Literature & which Shakespeare possessed so enormously—I mean Negative Capability, that is when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason—Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half knowledge. This pursued through Volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.
John Keats
Thursday, March 19, 2020
Izis, Grock,Toulon,1954
#izis #grock #clown #toulon #circus #performer #izisbidermanas #laterlife#backstage
Laughing Clowns
Laughing Clowns
Κωστής Βελώνης, Αδεξιότητα και νεωτερικότητα (We Are All Clowns)
Clumsiness and Modernity (We Are All Clowns) Course
ΑΣΚΤ -Athens School of Fine Arts (ASFA) Winter/Spring Semester
Αμφιθέατρο νέας βιβλιοθήκης, Πειραιώς 256
Βιβλιογραφία, σημειώσεις
Bibliography / REF/ Works Cited / Films / Performances
Adorno, Theodor, Αισθητική Θεωρία, μτφρ. Αναγνώστου, Λευτέρης, Αθήνα : Αλεξάνδρεια, 1989
Adorno, Theodor, “Τζαζ η Αιώνια Μόδα” στο Αντόρνο, Λόβενταλ, Μαρκούζε, Χορκχάιμερ, Τέχνη και μαζική κουλτούρα, επιλογή κειμένων, μτφρ. Ζήσης Σαρίκας, Αθήνα : Ύψιλον 1984
http://eranistis.net/wordpress/2017/03/26/adorno-jazz/
Berne, Betsy, Studio: Cindy Sherman ( interview) Tate Magazine, issue 5.
Bishop, Lloyd, Michaux's "Clown", The French Review, Vol. 36, No. 2 (Dec., 1962), pp. 152-157
Coulson, Shea, Funnier than Unhappiness: Adorno and the Art of Laughter, New German Critique, No. 100, Arendt, Adorno, New York, and Los Angeles (Winter, 2007), pp. 141-163 https://www.jstor.org/stable/pdf/27669190.pdf?seq=1
Diderot, Ανηψιός του Ραμώ, (Le Neveu de Rameau, 1891)
μτφρ. Γεωργίου Νάγια, Αθήνα : Καστανιώτης, 2002
Drusi, Ricardo, Commedia dell'arte in context (Proof), Popular Traditions, Carnival, Dance, 2018
https://www.academia.edu/38874203/Commedia_dellarte_in_context
Fédida, Pierre, Des bienfaits de la dépression, éloge de la psychothérapie, Paris, Odile Jacob, 2001
Grotjahn, Martin, Beyond Laughter, New York: McGraw-Hill, 1957
Freud, Sigmund, Το ευφυολόγημα και η σχέση του με το ασυνείδητο / Το Χιούμορ, μτφρ. Σιπητάνου, Λίνα, Σαγκριώτης, Γιώργος, Αθήνα : Πλεθρον, 2009.
Handelman, Don, "The Ritual-Clown: Attributes and Affinities," Anthropos 76 (1981): 321–370.
Handelman, Don, Clowns
https://www.encyclopedia.com/literature-and-arts/performing-arts/theater/clown
Hall, Mordaunt THE SCREEN; The Clown's Revenge Nov. 10, 1924
https://www.nytimes.com/1924/11/10/archives/the-screen-the-clowns-revenge.html
Hood, Amy, Poe-Inspired Prints by Ensor Join Research Institute’s Collection
https://blogs.getty.edu/iris/poe-inspired-prints-by-ensor-join-research-institutes-collection/
Hugo, Victor, Ο άνθρωπος που γελά ( L'Homme qui rit, 1869 ), μτφρ, Ντορέτα Πεππα, Αθήνα : σύγχρονη εποχή, 2013
Kosik Κarel, Η κρίση της νεωτερικότητας, μτφρ. Γκόρτσος Νάσος, Αθήνα :Ψυχογιός, 2003
Murphy, Peter F., Living by His Wits: The Buffoon and Male Survival, Signs , Vol. 31, No. 4 (Summer 2006), pp. 1125-1142
Merchant, Moelwyn, Η Κωμωδία, μτφρ. Αριστέα Παρίση Αθήνα : Ερμης, 1972
Joker,' 'The Man Who Laughs' and the Birth of a Villain, OCT. 3 , 2019
Περούλης, Κώστας. Τρελός, Μπουφόνος, Κλόουν:Πρόδρομοι, σχηματισμοί της Λογοτεχνίας και του υποκειμένου της Νεωτερικότητας. Το Παράδειγμα των Shakespeare, Diderot και Beckett.
http://ikee.lib.auth.gr/record/112471/files/ΠΕΡΟΥΛΗΣ.pdf
Poe, Edgar Allan, "Ο σαλταπήδας", Αλλόκοτες ιστορίες, μτφρ.
Πολίτης Κοσμάς, Αθήνα :εντροπία, 1995
Poe, Edgar Allan, Hop –Frog (1849)
https://poestories.com/read/hop-frog
Ross, Christine The Aesthetics of Disengagement Contemporary Art and Depression Minneapolis: University of Minnesota Press, 2006
Roudinesco, Elisabeth,: Pierre Fédida, Des bienfaits de la dépression, éloge de la psychothérapie, JEP, n.14 , Winter -spring 2002
http://www.psychomedia.it/jep/number14/fedida.htm
Simon, Joan, Breaking the Silence : an interview with Bruce Nauman, Sept. 1, 1998
Willeford, William, The Fool and His Sceptre. London : Edward Arnold, 1969.
Wolfgang M. Zucker's "The Clown as the Lord of Disorder," in Holy Laughter, edited by M. Conrad Hyers (New York, 1969)
Films /Performances
(-!-) Bozo the Clown, Frank Avruch
McDonald's Commercials 1960's Collection
https://www.youtube.com/watch?v=TCyNIKA-uhs
Bruce Nauman - Clown torture ,1984
https://www.youtube.com/watch?v=U6WPy1a6T9I
Clown Torture - Bruce Nauman, 1987
https://www.youtube.com/watch?v=YorcQscxV5Y
Clown Torture - Bruce Nauman, 1987
https://www.youtube.com/watch?v=DDoMei4pXjk
Bruce Nauman - Six Sound Problems / Clown Torture
https://www.youtube.com/watch?v=WDfJKvhNB2E
Cindy Sherman, "Why are they a clown?"
https://www.youtube.com/watch?v=tCkSQOaCf7s
The Man Who Laughs dir. By Paul Leni (1928)
https://www.youtube.com/watch?v=2KhzpkSDwHA
https://www.youtube.com/watch?v=90WCUZq6pAY
The Freaks, dir.by Tod Browning (1932)
https://www.youtube.com/watch?v=GjzvvYX8hmk
https://www.youtube.com/watch?v=39Bnk6VU53Y
https://www.youtube.com/watch?v=kRhY9M7IamA
He Who Gets Slapped, dir. by Victor Sjöström (1924)
https://archive.org/details/HeWhoGetsSlapped1924VictorSjstrmUsa
https://archive.org/details/mymovie_20190920
https://www.youtube.com/watch?v=GtiELTmFSN8
Wednesday, March 18, 2020
All of Them Witches
The exhibition arose from a conversation Dan and Laurie have been having for years about their shared affinity for a certain kind of art to which they're drawn to, can’t quite name, but recognize when they see it. Artworks and artists that share an affinity with what they thought of as a “witchy” sensibility, using the iconography of the supernatural, occult, and witchcraft to channel ideas about power, the body, and gender.
“In a time of constant historical and thematic artistic rediscoveries, we present a breadcrumb trail that already exists—a shared language across generations of artists who share in a knowledge of, and taste for, a bit of cauldron and a touch of darkness.” -Dan Nadel and Laurie Simmons
“In a time of constant historical and thematic artistic rediscoveries, we present a breadcrumb trail that already exists—a shared language across generations of artists who share in a knowledge of, and taste for, a bit of cauldron and a touch of darkness.” -Dan Nadel and Laurie Simmons
The artists participating in ALL OF THEM WITCHES are:
Gertrude Abercrombie,Tunji Adeniyi-Jones,Janine Antoni,Auste,Sylvie Auvray,Heather Benjamin,Ellen Berkenblit,Judith Bernstein,Amy Bessone,Alison Blickle,Sascha Braunig,Melissa Brown,Cameron,Ellen Carey
Sarah Charlesworth,Judy Chicago,Colette,Nikki de Saint Phalle,Georganne Deen,Jimmy DeSana,Trenton Doyle Hancock,Renate Druks,Hayden Dunham,Celeste Dupuy Spencer,Rachel Feinstein,Audrey Flack,Sylvie Fleury
Anna Gaskell,Tamara Gonzales,Trulee Hall,Allison Janae Hamilton,Lyle Ashton Harris,Judy Hudson,Marguerite Humeau,Cameron Jamie,Jane Kaplowitz,Caitlin Keough,Aline Kominsky-Crumb,Suzy Lake,Greer Lankton
Judith Linhares,Michael Mahalchick,Guadalupe Maravilla,Juanita McNeely,Ana Mendieta,Marilyn Minter,Shana Moulton,Jill Mulleady,Willa Nasatir,Shirin Neshat,Bea Nettles,Niagara,Kayode Ojo,Breyer P-Orridge,Maia Cruz Palileo,Ariana Papademetropoulos,Kembra Pfahler,Keisha Scarville,Carolee Schneeman,Michelle Segre,Cindy Sherman,Hollis Sigler,Xaviera Simmons,Jack Smith,Kiki Smith,Nancy Spero,Francine Spiegel,Robert Therrien
John Torreano,Deborah Turbeville,Andra Ursuta,Marnie Weber,Matthew Weinstein, Karen Yasinsky
Lisa Yuskavage
ALL OF THEM WITCHES, organized by Dan Nadel and Laurie Simmons
February 8–April 11, 2020. 925 North Orange Drive, Los Angeles
Friday, March 6, 2020
Η μορφή ακολουθεί τη λίμπιντο : Το οδοντοφόρο αιδοίο και η πατροκτονία
Η μορφή ακολουθεί τη λίμπιντο : Το οδοντοφόρο αιδοίο και η πατροκτονία
Βιβλιογραφία /Bibliography
REF/ Works Cited / films
Didi-Huberman, Georges, The Order of Material: Plasticities, malaises, survivals (Matlock, J, Trans.), in: Taylor, B, (ed.): Sculpture And Psychoanalysis, Routledge, 2016
Didi-Huberman, Georges, Die Ordung des Materials. Plastizitat, Unbehagen, Nachleben, στο Vortrage aus dem Warburg-Haus, III, Berlin : Akademie Verlag, 1999.
Briony, Fer, Objects beyond Objecthood, Oxford Art Journal, Vol. 22, No. 2, Louise Bourgeois (1999), pp. 27-36. https://www.jstor.org/stable/1360633
Lucy R. Lippard, Eccentric Abstraction (Fishbach Gallery: New York, 1966); reprinted in Art International, vol. 10, 20 November 1966
Lurie, Susan, The Construction of the "Castrated Woman" in Psychoanalysis and Cinema, DiscourseVol. 4 (Winter, 1981-2), pp. 52-74
Green, André, Η ιδιωτική τρέλα, ψυχανάλυση των οριακών περιπτώσεων, μτφρ. Λογαρίδη Θάλεια, επιμ. Συνοδινού Κλαίρη, Μητροσύλης Σπύρος, Αθήνα : Καστανιώτη, 2002
Butler, Judith, Σώματα με σημασία , μτφρ. Παναγία Μαρκέτου, επιμ. Αθηνά Αθανασίου Αθηνα :Εκδοσεις Εκκρεμές, 2008
Koehler, Sezin Pussy Bites Back: Vagina Dentata Myths From Around the World
https://www.vice.com/en_us/article/payq79/pussy-bites-back-vagina-dentata-myths-from-around-the-world
Hancock, Caroline,. Medusa in Ecstasy in Lynda Benglis. Edited by Franck Gautherot, Caroline Hancock, Seungduk Kim: Franck Gautherot , Dijon : Presses du réel, 2009.
Mignon, Nixon,
Eating Words, Oxford Art Journal, Vol. 22, No. 2, (1999), pp. 57-70
Cixous, Helene. Το γέλιο της Μέδουσας, μτφρ. Γωγώ Κατσούλη, Τζένη Κουντούρη Τσιάμη, Ειρήνη Σπανοπούλου, επιμ.-εισ. Δήμητρα Γεωργιάδου, Αθήνα : Τοποβόρος, 2018.
Creed, Barbara, To τερατώδες- θηλυκό, στο Cixous, Helene Το γέλιο της Μέδουσας, μτφρ. Γωγώ Κατσούλη, Τζένη Κουντούρη Τσιάμη, Ειρήνη Σπανοπούλου, επιμ.-εισ. Δήμητρα Γεωργιάδου, Αθήνα : Τοποβόρος, 2018.
Clair, Jean, Meduse. Contribution a une anthropologie des arts du visuel, Paris: Editions Gallimard, 1989.
Plath, Sylvia, Αριελ (1966) ,μτφρ. Ηλιοπούλου, Ελένη, Ηλιοπούλου, Κατερίνα, Αθήνα : Μελάνι, 2012
http://i-mourmoura.blogspot.com/2013/03/blog-post_9033.html
Freud, Sigmund, Το κεφάλι της Μέδουσας (1922), στο Κείμενα για την ψυχοσεξουαλική ζωή , μτφρ. Βασιλιάς, Ανδρέας, Αθήνα : Ανατολικός, 2018
Κωστής Βελώνης, “Η γλυπτική της επιθυμίας”, Αυγή της Κυριακής, 31 Μαιου 2015
Ana Cecilia Alvarez, Bend it Like Benglis , The Critical Inquiry, 20 Oct. 2014
https://thenewinquiry.com/bend-it-like-benglis/
Barthes, Roland, Μυθολογίες –Μάθημα, μτφρ. Καίτη Χατζηδήμου, Αθήνα: εκδ. Ράππα, 2007
Martyris, Nina, 'Luncheon In Fur': The Surrealist Teacup That Stirred The Art World, February 9, 2016
Kachur, Lewis, Displaying the Marvelous, Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations Cambridge, Massachusetts: MIT Press, 2001)
J. Laplanche & J.-B. Pontalis, Λεξιλόγιο της ψυχανάλυσης. Μτφρ. Β. Καψαμπέλης, Λ. Χαλκούση, Α. Σκουλήκα, Π. Αλούπης. Αθήνα: Κέδρος, 1986.
Dali's Dream of Venus 1939 World's Fair
https://www.youtube.com/watch?v=-yhWxQnvoSo
Schaffner Ingrid, Salvador Dali`s Dream of Venus: The Surrealist Funhouse from the 1939 World`s Fair, New York: Princeton Architectural Press, 2002
Hamilton, John T. “The Luxury of Self-destruction: Flirting with Mimesis with Roger Caillois." Flirtations: Rhetoric and Aesthetics This Side of Seduction, a Poetics and Theory/ Comparative Literature Workshop, Draper Program, New York University, March 3, 2012.
Eidelpes, Rosa , Roger Caillois’ Biology of Myth and the Myth of Biology, Anthropology & Materialism, 2 | 2014 .
https://journals.openedition.org/am/84
Pollock Griselda, "Feminism and Modernism," in Framing Feminism: Art and the Women's Movement, 19]0-1985. ed. Rozsika Parker and Pollock (London: Pandora, ,987).93.
Middleman, Rachel (2013) Rethinking Vaginal Iconology with Hannah Wilke's Sculpture, Art Journal, 72:4, 34-45
https://www.jstor.org/stable/pdf/43188632.pdf
Klein, Melanie. A contribution to the psychogenesis of manic-depressive states, International Journal of Psychoanalysis, 16:145-174, 1935
Abraham, Nicolas & Torok, Maria, Το χαμένο αντικείμενο –Εγώ. Σημειώσεις για την ενδοκρυπτική ταύτιση. Εκ των υστέρων, τεύχος 15 (2007) 175-195
Elisa Gomes, "MARIA – Don’t Forget I Come from the Tropics",
https://www.youtube.com/watch?time_continue=107&v=d7VIt017IDg&feature=emb_title
Aliens, dir. By James Cameron (1986) - Trailer
Aliens 1986 Final Ellen Ripley vs Xenomorph Queen
https://www.youtube.com/watch?v=DqA8Z5gjNWw
The Brood, dir. by David Cronenberg, 1979
https://www.youtube.com/watch?v=CNYfCMY2zHg
Teeth, dir. by Mitchell Lichtenstein, 2007
https://www.youtube.com/watch?v=yH8yuld4DUE
Αδεξιότητα και νεωτερικότητα (We Are All Clowns)
Τέχνη στο συγκείμενο ( Art in context )
ΑΣΚΤ -Εαρινό εξάμηνο
Αμφιθέατρο νέας βιβλιοθήκης, Πειραιώς 256
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