Solar Sailing

Solar Sailing, 2017-23 
Color pencil, oil pastel, acrylic, and collage on paper 

100 x 70 cm

Black Pierrot ( After Malevich’s Rectangle and Circle)

Black Pierrot ( After Malevich’s Rectangle and Circle) 2020
100 x 70 cm

A #ghostbeggar show @kalfayangalleries 
Curated by Efi Falida @falida 
#black #pierrot #drawing #kostisvelonis#pierrotnoir #rectangle #circle #malevich

 

La fleur de cing jours

 

Roland Topor, La fleur de cing jours, 1991

#drawing #rolandtopor #days #jours #holes #fleurs #ouverture #5

Dewlen House

Bruce Alonzo Goff (American, 1904-1982). Twelve Dewlen House Architectural Renderings, 1956. Print with handcoloring

 

https://fineart.ha.com/itm/bruce-alonzo-goff-american-1904-1982-twelve-dewlen-house-architectural-renderings-1956-print-wit/a/5331-79282.s

Stormy Seas (Sleeping Island)

Stormy Seas (Sleeping Island) 2020
Oil, acrylic, pastel and colour pencil on paper
TAR exhibition 
19/7- 29/8
Cur. by @danai_giannoglou 
#drawing #tryfonartresidency #kostisvelonis#sleeping #island #stormyseas #koufonisia

 

Buried Urne (from Urne Buriall and The Garden of Cyrus)

Paul Nash, Buried Urne (from Urne Buriall and The Garden of Cyrus), 1932

Collotype with pochoir

31.5 x 22.5 cm

The Manual of the Perfect Traveler

  

               Schooner, (My Boat Roofed Shed Series) 2019

       Acrylic , watercolor, wood and pencil on paper

     "The Manual of the Perfect Traveler" is a group show that explores the concept of travel. Building on Kazantzakis's phrase "That is why every Perfect Traveler always creates the country where he travels", six artists illustrate their journey.

A journey of imagination, of self-awareness, or even a real journey.
What comes to our mind when we think of a journey? Is it a getaway, a way out, or a need for knowledge and adventure? In any realization, a journey is an exercise-path leading to inner exploration and development.
An unknown or familiar destination, even a trip of imagination, becomes a means that pushes us out of our comfort zone and changes our perspective through the making of our "own country".
Through their personal narrative, the artists of the exhibition create a unique manual of the Perfect Traveler, for all those who love to travel and dream.

Marina Velisioti (Castrata Feel), Kostis Velonis, Leonidas Giannakopoulos, Rania Bellou, Pavlos Tsakonas, Marco Raparelli

      Curated by: Dialektaki Maria

      Sep 26 at 8 PM – Oct 5 at 8 PM

       Snehta Residency, Athens 

Historiosophical Scheme

Andrei Bely, Historiosophical Scheme, Tcikhis -Dziri, Georgia,1927

Watercolor, ink, pencil on paper

Album amicorum

Johannes Torrentius, watercolor drawing, album amicorum of Gerard Thibauld, 1615 

Energy Policy and the Electrification of the Whole Country.

Amir Gadzhiev, illustration for a children's book, Gouache, ink, watercolor and whitewash on paper 20.5 x 17 cm, 1930.

Homage to Pudlo Pudlat

 

Drawing by Pudlo Pudlat 

At its heart, this conversation is centered on encounters, from the artist Arvo Leo’s chance discovery of a book about one of the most prolific, yet little known artists in Canada, to Pudlo Pudlat’s own drawings, over 4000 renderings that reveal the Arctic landscape as a site of transition, a region that from 1940s onward, was inundated with new technologies, new religion, and ideas that radically changed the way of life for those in the far north. Looking critically at the conditions of production, the conversation will provide a background on the development of the West Baffin Eskimo Co-operative in the 1950s. In a place where paper currency was a relatively recent introduction, the program introduced art-making as a means to replace incomes lost after the collapse of the fur trade. Collectively, Pudlat’s drawings reveal a cosmology. In them, fish pull airplanes, humans ride muskox, and seals have the ability to teleport to the sky. Arvo Leo's encounters in Cape Dorset extend these readings of Pudlo's world as drawings transfigure into a fresh interrogation of landforms, community practices and the rhythm of Inuktitut songs. By way of acoustically and visually engaging with scenes of daily life, human-animal relations and intricate contingencies of the Canadian Arctic in a time of ecological shift, Fish Plane, Heart Clock unravels an organic correspondence between the camera and the drawing. Candice Hopkins and Natasha Ginwala

Candice Hopkins and Natasha Ginwala discuss the work of Arvo Leo and Pudlo Pudlat.

27/09/2015 3 pm

La Loge, Brussels

http://www.la-loge.be

LOS

Antonina Sofronova, “LOS”, 1920

Ink on paper, 28.8 x 21 cm

Untitled

Hermann Finsterlin, ‘Untitled’ (1922), Courtesy of David Nolan New York

A Project for the Wind

Sigurdur Gudmundsson, A Project for the Wind-Drawing /Sculpture, 1971-75, 2 b/w offsetprints

The First Day of Creation

Michel Wolgemut and Wilhelm Pleydenwurf, The First Day of Creation, 1493

Die ungebrochene Anziehungskraft der Natur

Max Peintner, Die ungebrochene Anziehungskraft der Natur (nature still draws a crowd) 1970/71, pencil drawing, 44 x 62,5 cm.

El Muro #18

Los Carpinteros, El Muro #18, 2001, watercolor on paper, John Berggruen Gallery.

Autre Portrait de Monsieur Ubu

Alfred Jarry, Autre Portrait de Monsieur Ubu

Photomechanical reproduction of a drawing by Jarry for Ubu Roi, Drame en cinq Actes en prose. Restitué en son intégrité tel qu'il a été représenté par les marionnettes du Théâtre des Phynances en 1888

Alfred Jarry loves Rrose Selavy

Barry Flanagan, Alfred Jarry loves Rrose Selavy,1974

Pen on paper, 19 x 25 cm.

Am I the Object Which I See?

Victor Pasmore, 'Am I the Object Which I See?' Intaglio print on paper, 1974