Mirskontsa (Worldbackwards)

 

Natalia Goncharova, cover for Mirskontsa (Worldbackwards) 
Authors: Aleksei Kruchenykh, Velimir Khlebnikov, Moscow, 1912

#NataliaGoncharova #lithographs#Mirskontsa #illustratedbook#AlekseiKruchenykh#VelimirKhlebnikov #Zaum #poetry #book#Handmadebook 

Mama Mia

 

Mladen Stilinović,Mama Mia, 2005
Kollage auf Karton 
22 x 30 cm 

Work D

Ei-Kyu: Work D, 1937

Polydrain

Tuiles Bisch

Tuiles Bisch, 1967

Kypseli

Puppets in Workers' Clubs, 2013 Inkjet print on Fine art paper, 40 x 30 cm

Kypseli Fanzine,  Artists: Elliott Burns, Cacao Rocks, The Callas, Cathy Calvanus, Dimitris Christidis, Antonakis Christodoulou, Dora Economou, Gastão Frota, Zoltan-Bruno Gyarmati, Myrto Iliadis, Elias Kafouros, Konstantin Kakanias, Vassilis Karouk, Elias Koen, Chrysanthi Koumianaki, Panagiotis Loukas, Helen de Main, Theodora Malamou,Piper Mavis, James Mc Lardy, Vassilis Noulas, Rallou Panagiotou, Aliki Panagiotopoulou, Eleanna Panagou, Panos Papadopoulos, Dimitris Protopappas, David B. Smith, Manos Tsichlis, Manolis Tsipos, Alexandros Tzannis, Kostis Velonis, Paki Vlassopoulou
 Curator: Dora Economou

ReMap4 Address : 46 Kerameikou & 24 Myllerou, 1st floor

The Eternal Eye

Grete Stern, The Eternal Eye, 1950

Designing the magazine "Utopia", 1921

Analysis of Old Masters , lithograph by Friedl Dicker and Johannes Itten, no10 from Bruno Adler, ed., Utopia. Dokumente der Wirklichkeit (Utopia:Documents of reality, Weimar, 1921)

The Crafty Trickster

The Crafty Trickster, 2013, collage on paper, 50 x 70 cm

Collage wa

Lou Scheper, Collage wa (mural painting Bauhaus workshop), c.1928.

The Orator

The Orator, 2012

40 x 30 cm

Mixed media

Inkjet print on fine art paper

Aveux non avenus

Claude Cahun et Marcel Moore, Aveux non avenus. (Unavowed confessions). Paris:Editions du Carrefour, 1929-1930. Book containing 237pp. with text and 10 photogravures.Paris, Ile-de-France, FranceI, illustrated book, photogravures, book (overall) 22.0 h x 17.0 w x 2.4 d cm 

South

Yannis Karlopoulos, News from the Past Series
Athens: View from Lycabettus Hill, 2011, collage, vintage postcards


SOUTH will be an arts and culture magazine published in Athens and distributed internationally. Possessed by a spirit of absurd authority, we will try to contaminate the prevailing culture with ideas that derive from southern mythologies such as the "perfect climate", "easy living", "chaos", "corruption", and the "dramatic temperament”, among others. Through our twisted - and "southern" – attitude, expressed through critical essays, artist projects, interviews and features, we would like to give form to the concept of the South as a "state of mind" rather than a set of fixed places on the map. People from different - literal or metaphorical – 'Souths' will renegotiate the southern attitude, partly to define it and partly to invent it, within the post-crisis world. Opening up an unexpected dialogue among neighbourhoods, cities, regions and approaches, SOUTH will be both a magazine and a meeting point for shared intensities.

Published by: Dyo Deka Ekdotiki SA, A collaboration of LIFO free press & Kunsthalle Athena

SOUTH contributors:
Carla Acevedo- Yates, Andreas Angelidakis, Julieta Aranda, George – Icaros Babassakis, Sotirios Bahtsetzis, Fotini Barka, Panayotis Barlas, Dimitris Bouras, Lorenzo Bruni, Carlos Capelán, Christos Chrissopoulos, Cibelle, Caroline Corbetta, Florence Derieux, Angela Dimitrakaki, Juan Andrés Gaitán, Penelope Georgiou, Massimiliano Gioni, Syd Krochmalny, Runo Lagomarsino, Julia Lesage, Miltos Manetas, Chus Martínez, Rodriguo Mallea - Lira, Stilpon Nestor, Ricardo Nicolau, Ylva Ogland, Louisa Papaloizou, Nikos Papastergiadis, Kostis Papayorgis, Javier S. Peres, Marios Perrakis
Angelo Plessas, Dimitris Politakis, María Inés Rodríguez, Georgia Sagri, Sokratis Sokratous, Mladen Stilinović, Pier Luigi Tazzi, Yorgos Tzirtzilakis, Kostis Velonis, Venia Vergou, Marita Virgioti,
Vangelis Vlahos, Kaelen Wilson-Goldie, Octavio Zaya, João Mourão & Luís Silva, Xenia Kalpaktsoglou & Poka-Yio

Clothed with the Sun.·.

Panos Tsagaris, Clothed with the Sun.·.
76x56cm, 2011.

The Building that went to the Mountain

Andreas Angelidakis,The Building that went to the Mountain, 2011

On Tuesday July 12th XYZ Outlet will hold the talk The Building that went to the Mountain (Demo of a study for a dying building) about the Casino Mont Parnes (located on Mount Parnitha, 30km north of Athens), based on an idea, and organised by architect Andreas Angelidakis. The talk will include the artist Kostis Velonis and the architects Agapi Proimou, Memos Phillipides, Giorgos Tzirtzilakis and Aristide Antonas.

XYZ Outlet #15: Andreas Angelidakis // The Building that went to the Mountain (Demo of a study for a dying building) // Tuesday 12 July // 20:00

Mask

Toshiko Okanoue, Mask, 1952
Unique collage of magazine images

A Dome

Vladimir Wassilievich Sterligov
A Dome. 1960.
Collage on paper, 65.9x51.2 cm

Sunrise in the Backyard

Sunrise in the Backyard
35 x 50cm
mixed media on paper

Il mondo e impazzito

Bruno Munari, Hanno inventato anche questo. Il mondo e impazzito
Collage
Museo Aeronautico Gianni Caproni, Trento

Stille teater

In the installation Stille teater (Quiet Theatre), Kirstine Roepstorff translates her
traditional collages into three-dimensional space. Here, for the first time, the collage characters move on a stage. Roepstorff's collage characters are personae or symbols who invest the contexts in which they appear - and reappear - with a specific theme or idea. The character Balance, for instance, is a female acrobat, skilled at juggling balls while balancing one on her head. Whenever she appears in a collage, performing her balancing act, balance enters as a theme. Other characters include Stop Lady, Resistance, the Moment Man, The In Between and a dog called Loss. These characters, who also figure in the traditional collages on display at the exhibition, are intended to trigger a mood or suggest a theme, which, in the case of Stille teater, feeds into the dramatic action.


Kirstine Roepstorff

Stille teater is an ongoing theatrical installation in the exhibition where a seated
audience is confronted with a stage occupied not by actors but by a collage
sculpture. When set in motion, the sculpture combines with dramatic lighting and
stage effects to provide the starting point for the narrative. The play itself is spun
from a dialogue for two voices, Image and Space. One voice, Image, is down-to-earth, rational and committed to maintaining some sort of cohesion. The other, Space, talks in abstractions, letting everything hang in the air, untouched but observed.

Likely background inspiration to Roepstorff's theatre includes the Dada collages
of the 1920s and Oskar Schlemmer's - German artist and stage director at the
Bauhaus - conception of theatre, where the stage is a 'metaphysical meeting place': a nexus where plays, craftsmanship (often in the form of dolls) are combined with mechanics. For Kirstine Roepstorff there are important parallels between collage and theatre: "Both are fragile. This is true of theatre, existing as it does only in the now of performance and in memory, and of collage in that, created from magazine clippings, its content is fixed in time and its material frail." –SHO

Source : U-turn