Tuesday, March 8, 2022

Το οδοντοφόρο αιδοίο (vagina dentata) και η πατροκτονία

Το οδοντοφόρο αιδοίο (vagina dentata) και η πατροκτονία  

 

 

Τέχνη στο συγκείμενο (Art in context 

Η σχολή του Slapstick/ Slapstick School

ΑΣΚΤ -Χειμερινό εξάμηνο/ Εαρινό εξάμηνο

Αμφιθέατρο νέας βιβλιοθήκης,  Πειραιώς 256

Κωστής Βελώνης

 

 

Βιβλιογραφίασημειώσεις filmsperformances

 

 

 

Abraham, Nicolas & Torok, Maria. «Το χαμένο αντικείμενο –Εγώ. Σημειώσεις για την ενδοκρυπτική ταύτιση.» Εκ των υστέρωντεύχος 15 (2007) :175-195.    

 

Alvarez, Ana Cecilia. “Bend it Like Benglis.” The Critical Inquiry, 20 Oct. 2014. 

https://thenewinquiry.com/bend-it-like-benglis/

Barthes, Roland. Μυθολογίες –Μάθημα.  MτφρΚαίτη Χατζηδήμου. Αθήνα: εκδ. Ράππα, 2007.

 

Βελώνης, Κωστής. “Η γλυπτική της επιθυμίας.”Αυγή της Κυριακής, 31 Μαιου 2015 

http://avgi-anagnoseis.blogspot.gr/2015/05/blog-post_9.html#more

 

Briony, Fer. “Objects beyond Objecthood.” Oxford Art Journal, Vol. 22, No. 2, Louise Bourgeois (1999) : 27-36. https://www.jstor.org/stable/1360633

ButlerJudith.  Σώματα με σημασία. Eπιμ. Αθηνά Αθανασίου, μτφρ. Παναγία  Μαρκέτου, Αθήνα : Εκδόσεις  Εκκρεμές, 2008.  


CixousHeleneΤο γέλιο της Μέδουσας. Eπιμ.-εισ. Δήμητρα Γεωργιάδου, μτφρ. Γωγώ Κατσούλη, Τζένη Κουντούρη Τσιάμη, Ειρήνη Σπανοπούλου, Αθήνα : Τοποβόρος, 2018.


CreedBarbara.  «To τερατώδες- θηλυκό» στο CixousHeleneΤο γέλιο της Μέδουσας. Eπιμ.-εισ. Δήμητρα Γεωργιάδου, μτφρ. Γωγώ Κατσούλη, Τζένη Κουντούρη Τσιάμη, Ειρήνη Σπανοπούλου, Αθήνα : Τοποβόρος, 2018.

 

Creed, Barbara. «Orgasmology : What Does the Orgasm Want?” Feminist Formations, Volume 28, Issue 2, (Summer 2016): 144-151. https://doi.org/10.1353/ff.2016.0033 

 

Clair, Jean. Meduse. Contribution a une anthropologie des arts du visual.  Paris: Editions Gallimard, 1989.

 

 

Dali, Salvador“Declaration of the independence of imagination and the rights of man to his own madness.”(1939)

https://collections.vam.ac.uk/item/O1309656/declaration-of-the-independence-of-dali-salvador/

 

Eidelpes, Rosa.  “Roger Caillois’ Biology of Myth and the Myth of Biology.” Anthropology & Materialism,  21 (2014). https://journals.openedition.org/am/84

 

Feldman, Max L. “Heads-Off”,  Spike Art Magazine, July. 21. 7. 2020

https://www.spikeartmagazine.com/?q=articles/soshiro-matsubara-croy-nielsen-vienna

 

 

Gomes, Elisa.  "MARIA – Don’t Forget I Come from the Tropics", 

https://www.youtube.com/watch?time_continue=107&v=d7VIt017IDg&feature=emb_title

 

GreenAndré. Η ιδιωτική τρέλα, ψυχανάλυση των οριακών περιπτώσεων.  Mτφρ. Θάλεια Λογαρίδη,  επιμ. Κλαίρη Συνοδινού, Σπύρος Μητροσύλης, Αθήνα : Καστανιώτη, 2002.

 

Hamilton, John T., “The Luxury of Self-destruction: Flirting with Mimesis with Roger Caillois." Flirtations: Rhetoric and Aesthetics This Side of Seduction, a Poetics and Theory/ Comparative Literature Workshop, Draper Program, New York University, March 3, 2012. 

https://dash.harvard.edu/handle/1/14065783

 

Hancock, Caroline. “Medusa in Ecstasy” in Lynda Benglis. Eπιμ. Franck Gautherot, Caroline Hancock, Kim Seungduk, Franck Gautherot, Dijon : Presses du réel, 2009.

http://www.carolinehancock.com/carolineHancock/pdf/Lynda_Benglis.pdf

 

Henriques, Martha. “The vibrator: from medical tool to revolutionary sex toy.” BBC Future, 8th November (2018). 

https://www.bbc.com/future/article/20181107-the-history-of-the-vibrator

 

Didi-Huberman, Georges. “The Order of Material: Plasticities, malaises, survivals”.  In Sculpture and Psychoanalysis. ΜτφρJ, Matlock, επιμ.  B. Taylor.  Routledge, 2016.  

 

Didi-Huberman, Georges. “Die Ordung des Materials. Plastizitat, Unbehagen, Nachleben”,  Vortrage aus dem Warburg-Haus, III, Berlin : Akademie Verlag, 1999.

 

FreudSigmund. «Το κεφάλι της Μέδουσας» στο Κείμενα για την ψυχοσεξουαλική ζωή. Mτφρ.  Ανδρέας Βασιλιάς, Αθήνα : Ανατολικός, 2018. 

 

JagoseAnnamarieOrgasmologyDurhamNC:  Duke University Press, 2013.

Kachur, Lewis. Displaying the Marvelous, Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations. Cambridge, Massachusetts: MIT Press, 2001.

 

Koehler, Sezin.  “Pussy Bites Back: Vagina Dentata Myths From Around the World.”

https://www.vice.com/en_us/article/payq79/pussy-bites-back-vagina-dentata-myths-from-around-the-world

 

Klein, Melanie. “A contribution to the psychogenesis of manic-depressive states.” International  Journal of Psychoanalysis16 (1935): 145-174. 

 

https://www.sas.upenn.edu/~cavitch/pdf-library/Klein_Contribution.pdf

 

LaplancheJ. & PontalisJ.-B. Λεξιλόγιο της ψυχανάλυσης.  Mτφρ. Β. Καψαμπέλης, Λ. Χαλκούση, Α. Σκουλήκα, Π. Αλούπης. Αθήνα: Κέδρος, 1986.

http://www.preder.net/r/geriadur/enmoned.php?dic=6&ent=918

 

Lippard, Lucy R. “Eccentric Abstraction”. New York : Fishbach Gallery (1966); reprinted in Art International, vol. 10, 20 November (1966). 

https://monoskop.org/File:Lippard_Lucy_R_1966_1971_Eccentric_Abstraction.pdf

Lurie, Susan. “The Construction of the "Castrated Woman." Discourse Vol. 4 Winter, (1981-2): 52-74.

https://www.jstor.org/stable/44000262?seq=1

 

Malabou, Catherine. “What Should We Do with Plasticity.” An interview with   Benjamin Dalton. Paragraph 42:2(2019): 238-254. 

https://euppublishing.com/doi/full/10.3366/para.2019.0301

 

Markus, Daniel. “On the art of Hannah Wilke.” Art Forum, January 16, 2022.

https://www.artforum.com/print/202201/daniel-marcus-on-the-art-of-hannah-wilke-87445

 

Martyris, Nina. “Luncheon In Fur: The Surrealist Teacup That Stirred The Art World.” February 9, 2016.

https://www.npr.org/sections/thesalt/2016/02/09/466061492/luncheon-in-fur-the-surrealist-tea-cup-that-stirred-the-art-world?t=1578851213115

 

Middleman, Rachel. “Rethinking Vaginal Iconology with Hannah Wilke's Sculpture.” Art Journal 72:4 (2013) : 34-45.

https://www.jstor.org/stable/pdf/43188632.pdf

 

Mignon, Nixon. “Eating Words.”  Oxford Art Journal, Vol. 22, No. 2, (1999) : 57-70.https://www.jstor.org/stable/pdf/1360635.pdf

PlathSylvia. ΆριελΜτφρ. Ελένη Ηλιοπούλου, Κατερίνα  Ηλιοπούλου. Αθήνα : Μελάνι, 2012.

 http://i-mourmoura.blogspot.com/2013/03/blog-post_9033.html

 

PollockGriselda.  "Feminism and Modernism" in Framing Feminism: Art and the Women's Movement, 1980-1985. Επιμ. Rozsika Parker, Griselda Pollock. London: Pandora, 1987. 

 

Sayej, Nadja. “Sexologist Annie Sprinkle Isn't Covering Anything Up.Interview Magazine, September 30, 2019.

https://www.interviewmagazine.com/culture/annie-sprinkle-show-tell-new-exhibition

 

 

Schaffner, Ingrid. Salvador Dali`s Dream of Venus: The Surrealist Funhouse from the 1939 World`s Fair, New York: Princeton Architectural Press, 2002.

 

 

Sprinkle, Annie M. “A Public Cervix Announcement.”

http://anniesprinkle.org/a-public-cervix-anouncement/

 

 

Stein, Sadie. “My fair lady.” The Paris Review, Feb 17, 2015.

https://www.theparisreview.org/blog/2015/02/17/my-fair-lady/

 

 

Vo, Anh. “Can Pornography Be Feminist?” Cult Plastic, June 4, 2017.

 

https://cultplastic.com/2017/06/04/pornography-and-feminism/

 

 

 

Films/Performances

 

Dali's Dream of Venus 1939 World's Fair 

https://www.youtube.com/watch?v=g9jcL-qjqi4

https://www.youtube.com/watch?v=-yhWxQnvoSo

https://www.youtube.com/watch?v=xy9dnakh5L4

Elisabeth Sussman discusses the artist Eva Hesse’s rope Sculpture, No Tile, 1970.

https://www.youtube.com/watch?v=LklUuaUxX4k

 

Eva Hesse: “Life doesn’t last; art doesn’t last”  -sfmoma https://www.sfmoma.org/watch/eva-hesse-life-doesnt-last-art-doesnt-last/

 

Louise Bourgeois – 'I Transform Hate Into Love' | TateShots

https://www.tate.org.uk/art/artists/louise-bourgeois-2351/art-louise-bourgeois

 

Aliens, dir. By James Cameron (1986) - Trailer

https://www.youtube.com/watch?v=z0IXOUFYMt0

Aliens 1986 Final Ellen Ripley vs Xenomorph Queen

https://www.youtube.com/watch?v=DqA8Z5gjNWw

The Brood, dir. by David Cronenberg, 1979

https://www.youtube.com/watch?v=CNYfCMY2zHg

 

Teethdir. by Mitchell Lichtenstein, 2007

https://www.youtube.com/watch?v=yH8yuld4DUE

 

Lynda Benglis at the Walker, Eric Crosby

 

https://walkerart.org/collections/publications/art-expanded/adhesive-products/#/introduction

 

https://walkerart.org/collections/publications/art-expanded/adhesive-products/#/working_in_space

 

Marcel Duchamp

Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ) 1946-66 Marcel Duchamp Philadelphia Museum Of Art

https://www.youtube.com/watch?v=dAlzBx24_vM

 

Marcel Duchamp, The Bride Stripped Bare by Her BachelorsEven (The Large Glass) by  Lara Kuykendall 
https://smarthistory.org/duchamp-largeglass/