Αόρατα Νήματα / Invisible threads
Βιβλιογραφία, σημειώσεις
Bibliography / REF/ Works Cited / Films / Performances
Antonucci , Giovanni. Chonache del theatro futurista, Roma: Abete, 1975.
Barthes, Roland. Μάθημα γραφής, Σύγχρονος κινηματογράφος τευχος 15-16, 1977.
http://www.cinemalab.eu.org/sygxronos-kinimatografos/details/1/27-sygxronos-kinimatografos-77
Barthes, Roland. On Bunraku, The Drama Review: TDR, Vol. 15, No. 2, Theatre in Asia (Spring, 1971), pp. 76-80 https://www.jstor.org/stable/1144622
Barris, Roann, The Life of the Constructivist Theatrical Object,
Theatre Journal, Vol. 65, No. 1 (March 2013), pp. 57-76 https://www.jstor.org/stable/41819822
Bell, John. Κούκλες, μάσκες και παραστατικά αντικείμενα στο τέλος του 20ου αιώνα, Νήμα, τευχ.30, Μαιος 2000.
Βλαβιανός, Χάρης. Το νερό έγινε πέτρα, Το Βημα, 14 Δεκ., 2014
Bowlt, John E., Constructivism and Russian Stage Design, Performing Arts Journal, Vol. 1, No. 3 (Winter, 1977), pp. 62-84, https://www.jstor.org/stable/3245250
Beeson, Nora Meyerhold, Vsevolod, The Tulane Drama Review, Vol. 4, No. 1 (Sep., 1959), pp. 139-149
https://www.jstor.org/stable/1124810
Corra, Bruno, antognoli Marinetti, F. T., Settimelli, Emilio. Μανιφέστο του Φουτουριστικού Συνθετικού Θεάτρου (Teatro Futurista Sintetico) Μιλάνο, 11 Ιανουαρίου 1915 - 18 Φεβρουάριου 1915, μτφρ.Κώστας Κουρμουλάκης.
https://www.academia.edu/11335211/Μετάφραση_των_φουτουριστικών_μανιφέστων_του_Μαρινέτι_για_το_θέατρο
Cappelletto, Chiarra. The puppet's paradox: An organic prosthesis
RES: Anthropology and Aesthetics, No. 59/60 (spring/autumn 2011), pp. 325-336
www.jstor.org/stable/23647798
Craig, Edward Gordon, The Actor and the Über-Marionette, The Mask, Volume 1, Number 2, April 1908
https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau190804-01.2.5&
https://imalpensanti.it/2017/03/30/il-teatro-avanguardista-di-filippo-tommaso-marinetti/
Güthenke, Constanze, Postclassicism, Disturbed Philology and Kleist’s Fencing Bear, Oxford German Studies, 47:2, 2018, 184-200https://doi.org/10.1080/00787191.2018.1452706
Gray, John, H ψυχή της μαριονέτας – Μια σύντομη έρευνα για την ανθρώπινη ελευθερία Μετάφραση Γιώργος Λαμπράκος, Εκδόσεις Οκτώ, 2018
Gross, Kenneth, The Madness of Puppets , The Hopkins Review, Volume 2, Number 2, Spring 2009 (New Series), pp. 182-205 https://doi.org/10.1353/thr.0.0066
Hebron, Stephen, John Keats and ‘negative capability’, British Library, 2014
https://www.bl.uk/romantics-and-victorians/articles/john-keats-and-negative-capability
Unger, Roberto. False Necessity: Anti-Necessitarian Social Theory in the Service of Radical Democracy, Revised Edition. London: Verso, 2004
http://www.robertounger.com/en/wp-content/uploads/2017/10/false-necessity.pdf
The Letters of John Keats, ed. by H E Rollins, 2 vols, Cambridge: Cambridge University Press, 1958
Koss Juliet, Bauhaus Theater of Human Dolls.
The Art Bulletin, Vol. 85, No. 4 (Dec., 2003), pp. 724-745
https://www.jstor.org/stable/3177367
Lorefice,Tito. Ariel Bufano : Πάνω την ερμηνεία της Κούκλας, Νήμα, τευχ. 35, Μάιος 2004
Lyons, Charles R, Gordon Craig's Concept of the Actor, Educational Theatre Journal, Vol. 16, No. 3 (Oct., 1964), pp. 258-269 https://www.jstor.org/stable/3204670
Lyotard, Jean Francois, «Ο Θεός και η μαριονέτα» στο «Το απάνθρωπο, κουβέντες για τον χρόνο», μτφρ. Βασίλης Πατσογιάννης , Αθήνα: Πλεθρον, 2019
Victoria Nelson. The Secret Life of Puppets. Cambridge: Harvard University Press, 2001
Obraztsov, Sergey. My Profession, μτφρ. Ralph Parker, Valentina Scott , Moscow : Foreign Languages, 1950
Ray, William. Suspended in the Mirror: Language and the Self in Kleist's "Über das Marionettentheater", Studies in Romanticism, Vol. 18, No. 4, The Rhetoric of Romanticism (Winter, 1979), pp. 521-546 https://www.jstor.org/stable/25600209
Schiller, Friedrich. «Περί αφελούς και συναισθηματικής ποίησεως» στο Επιλογή από το έργο του, εις.- επιλ.-μτφρ. Ανδρουλιδάκης, Κώστας, Αθήνα : Στιγμή, 2015.
Tritschler, Paul. Negative capability, Aeon magazine, 07 November, 2018
https://aeon.co/essays/deny-and-become-the-radical-ethos-of-negative-capability
Films /Performances
“Dolls” Trailer by Takeshi Kitano, 2002
Intro scene from the 2002 film "Dolls" directed by Takeshi Kitano (2002)
Vengono - Omaggio a Filippo Tommaso Marinetti, Teatro cust 2000 di Urbino, Regia di Livio Taricco
https://www.youtube.com/watch?v=eG8ixJiO7fs
Meyerhold's Biomechanics, the university of Iova
https://www.youtube.com/watch?v=eoq8_90id2o
Tadeusz Kantor "Umarła klasa" (Dead Class)
https://www.youtube.com/watch?v=a235hHGFIps
Sergey Obraztsov puppets
https://www.youtube.com/watch?v=WuU12VDxCY4
Obraztsov, theme and variations
https://www.youtube.com/watch?v=HjdNg2zjbMU
Κωστής Βελώνης, Αδεξιότητα και νεωτερικότητα (We Are All Clowns)
Clumsiness and Modernity (We Are All Clowns) Course
ΑΣΚΤ -Athens School of Fine Arts (ASFA) Winter/Spring Semester
Αμφιθέατρο νέας βιβλιοθήκης, Πειραιώς 256
