Βιβλιογραφία

ΠΑΝΕΠΙΣΤΗΜΙΟ ΘΕΣΣΑΛΙΑΣ ΤΜΗΜΑ ΑΡΧΙΤΕΚΤΟΝΩΝ ΜΗΧΑΝΙΚΩΝ ΧΕΙΜΕΡΙΝΟ ΕΞΑΜΗΝΟ 2009-2010

«Αφηγήσεις της κατοικίας στη μοντέρνα και σύγχρονη τέχνη»

Μάθημα: Κωστής Βελώνης

Βιβλιογραφία

Agrest, Diana, Conway, Patricia, Weisman, Leslie Canes, (επιμ.) The Sex of Architecture, (Νέα Υόρκη: Harry N.Abrams, 1996)
Allington, Edward, "The Ride Stripped Bare", Frieze 56, (Iανoυάριος-Φεβρουάριος 2001): 83- 87.
Anger, Jenny, “Forgotten Ties: The Suppression of the Decorative in German Art and Theory, 1900-1915”, Not At Home (επιμέλεια) Christopher Reed (Λονδίνο: Thames and Hudson, 1989) :130-146.

Aynsley, Jeremy, “Displaying Designs for the Domestic Interior in Europe and America 1850-1950”, Imagined Interiors: representing the domestic interior since the Renaissance (επιμ.) Jeremy Aynsley, Charlotte Grant, Harriet McKay (Λονδινο: Victoria and Albert Museum Publications, 2006):190-215.

Bach, Teja Friedrich, Brancusi, photo reflexion, (Παρίσι: Edition du Regard, Didier Impert Fine Arts, 1991):8.
Bachelard, Gaston, La poetique de l’espace (Παρίσι : PUF, 1957).
Baydar, Gulsum και Heynen, Hilde (επιμ.) Negotiating Domesticity :Spatial Constructions of Gender in Modern Architecture (Λονδίνο, Νέα Υόρκη:Routledge, 2005).
Bellaigue, Marthilde, "An Artist and an Architect: The space Rebeyrolle at Eymoutiers", Museum International 196, αρ.4, τομ. ΧLIX (1997) : 30-34.
Bennet, Tony, The birth of the Museum (Λονδίνο: Routledge, 1995)
Berry, Francesca, « Lived perspectives:the art of the French nineteenth-century interior”, Imagined Interiors:representing the domestic interior since the Renaissance (επιμ.) Jeremy Aynsley, Charlotte Grant, Harriet McKay (Λονδινο: Victoria and Albert Museum Publications, 2006):160-183.

Boccioni, U., Scritti editi e inediti (Μιλάνο: Feltrinelli, 1971)
Bochner, Mel, "The Serial Attitude." Artforum 4, τομ. VI (Δεκέμβριος 1967) : 28-33.
Borden, Iain, Rendell, Jane, (επιμ.) InterSections, Architectural Histories and Critical theories (Λονδίνο : Routledge, 2000).
Bois, Yve-Alain, "the Sculptural Opaque", Substance 31 (1981) : 23-48.
Alain-Bois, Yves, Rosalind Krauss, L’informe, mode d’emploi, (Παρίσι : Centre d’art et de culture Georges –Pompidou, 1996).
Buck-Morss, Susan, "The City as Dreamworld and Catastrophe", October 73, (Καλοκαίρι 95): 3-26.
Βλάχος, Γιώργος Σ., «Ποπ, όπως ο ήχος της φτηνής σαμπάνιας», Panopticon, τευχ.00, (2002).
Brighton, Andrew, Flogging Dead Horses, de-, dis-, ex-. Ex-vacating Modernism, επιμ. Alex Coles & Richard Bentley (BACKless Books, 1996, Λονδινο): 1-2.
Broude, Norma, Garrard, Mary D., (επιμ.) The Power of Feminist Art, the American Movement of the 1970's, History and impact (Νέα Υόρκη : Harry N. Abrams, 1994).
Brooks, Peter, Reading for the plot: Design and intention in Narrative (Oxford: Clarendon, 1984).
Brewer, John, Porter, Roy (επιμ.), Consumption and the World of Goods, (Λονδίνο: Routledge, 1993).
Βrown, Theοdore, The work of G.Rietveld Architect, (Utrecht : A.W.Bruna and Zoon, 1958).
Briosi Sandro, Hillenaar, Henk (επιμ.), Vitalite et contradictions de l’avant-garde, Italie-France 1909-1924, (Paris:José Corti, 1988).
Buchanan Peter, «Brancusi's New Studio», Architecture, αρ. 4 (Απρίλιος 1997): 77-79.
Buchloh, Benjamin H. D., "Cargo and Cult, the displays of Thomas Hirschhorn", Artforum XL αρ.3 , (Νοέμβριος 2001) : 109-114.
Cardot, Emile, L’Art au foyer domestique (Παρίσι: Renouard, 1884).
Cahun, Claude, Ecrits, (Παρίσι: Editions Jean-Michel Place, 2002).
Causey, Andrew, Sculpture since 1945 (Oxford: Oxford University Press, 1998).
Casey, Edward S., Getting Back into Place, (Bloomington, Indianapolis: Indiana University Press, 1993).
Century, Dan, “Brion Gysin and His Wonderful Dreamachine” www. legendsmagazine.net/105/brion.htm
Cooke, Lynne, Wollen, Peter, (επιμέλεια), Visual Display Culture: Beyond Appearances, DIA Center(Νέα Υόρκη: The New Press, 1995).
Colomina, Beatriz, Privacy and Publicity : Μodern Αrchitecτure as Mass Media (Cambridge, Massachusetts :MIT Press, 1994).
---,(επιμ.) Sexuality & Space, (Νέα Υόρκη: Princeton Papers on Αrchitecture, 1992).
Conrads, Ulrich, Μανιφέστα και προγράμματα της αρχιτεκτονικής του 20 αιώνα. (Αθήνα: Επίκουρος, 1977).
Le Corbusier, Urbanisme (Παρίσι : G. Crès και Cie, 1925).
---, L’art décoratif d’aujourd’hui (Παρίσι: G. Crès, 1925).
---, Vers une architecture ((Παρίσι : Crès et Cie, 1923).
Crary, Jonathan, "Spectacle, attention, counter-memory", October 50 (Φθινόπωρο 1989) : 96-107.
---, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. (Cambridge, Massachusetts: MIT Press, 1990).
---, Suspensions of Perception, Attention, Spectacle, and Modern Culture, (Cambridge, Massachusetts : MIT Press, 2001).
Curtis, Penelope, Sculpture 1900-1945 (Oxford: Oxford University Press, 1999).
Clark, T.J, The Painting of Modern Life. Paris in the Art of Manet and his Followers (Princeton, New Jersey:Princeton University Press, 1984)
Clarke, Alison J., Tupperware, The Promise of Plastic in 1950s America (Washington: Smithsonian Institution Press, 2001.

Davilla, Thierry, «Une oeuvre de destruction», Les cahiers du Musée Νational d’art Moderne, Centre Pompidou (Χειμώνας. 2004/2005).
Debord, Guy, « Positions situationnistes sur la circulation”, Internationale situationniste, Internationale Situationniste 3, (Δεκέμβριος 1959), τρίτη έκδοση ( Paris: Fayard, 1997) : 104-105.
---, Η Κοινωνία του Θεάματος, μετ. Π.Τσαχαγέας-Ν.Β.Αλεξίου (Αθήνα: Ελεύθερος Τύπος, 1986).
---, Kotànyi, Vaneigem, «Sur la commune», Internationale Situationniste,12(1969).www.acontrecourant.org/acc2/index.php?page=commune.
O’Doherty, Brian, Inside the White Cube: The Ideology of the Gallery Space, (Santa Monica: Lapis Press, 1986).
Docherty J.Linda, “Model families: The domesticated Studio Pictures of William Merritt Chase and Edmund Tarbell”, Not At Home, (επιμ) C.Reed, (London : Thames and Hudson, 1989):48-64.
---, Theorising Modernism, Visual art and the Critical Tradition, (Νέα Υόρκη: Columbia University Press, 1994).
De Duve, Thierry, “Ex Situ”, LES CAHIERS du Musée National d’art Moderne 27 (φθινόπωρο 1989) : 39-55.
---, Kant After Duchamp, (Cambridge, Mass., MIT Press: 1996).
Eisenman, Peter D., "Notes on Conceptual Architecture: Towards a Definition." Design Quarterly 78-79 (1970): 1-5.
Efrat, Zvi, Fausch, Deborah, Singley, Paulette, El-Khoury, Rodolphe, (επιμ) Architecture: In Fashion (Νέα Υόρκη: Princeton Architectural Press, 1994).
Etincelle, Carnet d'un mondain, vol. I, (Paris: Rouveyre, 1881-82).
Krzysztof Fijalkowski “‘ Un salon au fond d’un lac’, The domestic spaces of surrealism” στο Mical, Thomas (επιμ.) Surrealism and architecture, (London : Routledge, 2005):11-30
Facos Michelle, “The Ideal Swedish Home :Carl Larsson’s Lilla Hyttnas”, Not At Home, (επιμ) C.Reed, (London : Thames and Hudson, 1989):81-91.
Farquharson, Alex, «Drastic Plastic», Frieze 68 (2001).
Focillon, Henri, Η ζωή των μορφών, μτφ. Α. Κούρι, (Αθήνα : Νεφέλη, 1982).
Foster, Hal, “The Archive without Museums”, October 77, (Kαλοκαίρι 1996) : 97-119.
---, The Return of the Real, (Cambridge, Massachusetts: MIT Press, 2002).
---, Design and Crime, and Other Diatribes (Λονδίνο και Νέα Υόρκη: Verso, 2002).
Francis, Mark, «Tune in, turn on, light up..» Tate etc. αρ.4, www.tate.org.uk/tateetc/issue4/summeroflove.htm
Fried, Michael, “Art and Objecthood”, Art Forum, Vol.V, αρ.10 (καλοκαίρι 1967): 13-23.
Frizot Michel, Dominique Paini, Sculpter photographier photographie sculpture (Παρίσι: Marval, 1991).
Frechuret, Maurice, Le mou et ses formes :essai sur quelques catégories de la sculpture, (Παρίσι: ESBA, 1993).
Geiger, John, Chapel of Extreme Experience: a Short History of Stroboscopic Light and the Dream Machine (Νέα Υόρκη: Soft Skull Press, 2004).
Giedon, Sigfried, Space, time and Architecture : The Growth of a new Tradition, (Cambridge, Massachusetts: Harvard University Press, 1941).
Gintz, Claude, “Architecture et postminimalisme”. Revue d’esthétique 29 (1996).
Giovanni, Antonucci, Chonache del theatro futurista, (Roma: Abete, 1975).
Godin, Christian, La Totalité realisée, Les arts at la littérature (Seyssel: Champ Vallon, 1997).
Gray Noel, «The kaleidoscope: Shake, Rattle and Roll”, The Australian Journal of Media&Culture, αρ.6(1991)www. mcc.murdoch.edu.au/ReadingRoom/6.2/Gray.html
Greenberg, Clement, Recentness of sculpture, American Sculpture of the Sixties (Los Angeles: Los Angeles Country Museum of Art, 1967).
Greenberg, R., Ferguson, B. W., Nairne, S., (επιμ.), Thinking About Exhibitions (London and New York: Routledge, 1996).
Girst, Thomas ”Those objects of Obscure Desires :Marcel Duchamp and his Shop Windows στο Grunenberg, Christoph, Hollein Max (επιμ.), Shopping. A Century of Art and Consumer Culture, Schirn Kunstahalle Frankfurt και Tate Liverpool( Frankfurt , Liverpool :Hatje Kantz Publishers, 2002).
Grunenberg, Chrιstoph, Harris, Jonathan, (επιμέλεια), Summer of Love, psychedelic art, social crisis and counterculture in the 60’s (Liverpool: Liverpool University Press +Tate Liverpool, 2005).
Hahn, Till, “L’amour du verre”, Museum 172 (1991) : 202-205
Hoffmann, Gerhard, "Space and Symbol in the Tales of Edgar Allan Poe," Poe Studies XII, αρ.1 (Ιούνιος 1979) www.eapoe.org/pstudies/ps1970/p1979101.htm
Hainard, Jacques, Kaehr, Roland, Objects Prétextes, Objects Manipulés (Neuchâtel: Musée d’ethnographie, 1984).
Harrison, Charles, Wood, Paul, (επιμ.), Art in Theory 1900-1990 (Cambridge: Massachusetts: Blackwell, 1992).
Hergott, Fabrice, «Plight», Joseph Beuys. (Paris: Musee national d’art moderne: Centre Georges Pompidou, 1994).
Highmore, Ben, Everyday Life and Cultural Theory, (Λονδίνο: Routledge, 2002).
Hirst, Paul, “Foucault and Architecture”, AA Files 26 (1993) : 25-60.
Hirst, Lisa, “Dressing the part, Workwear for the Home 1953-1965”, Things 9 (Xειμώνας 98-99): 25-49.
Hulten, Pontus (επιμ.) Futurismo & Futuristi (Milano: Fabbri Bompiani, 1986).

Jones, Amelia, Irrational Modernism, a Neurasthenic History of New York Dada (Cambridge, Massachusetts, London: The MIT Press, 2004)
Jones, Jonathan, A House is not a Home, Frieze 55, (νοεμ -δεκ 2000 ) :84-89.
---, "Species of Spaces -Mike Nelson. Frieze 53, (Kαλοκαίρι 2000).
Joselit, David, Infinite Regress, Marcel Duchamp 1910-1941 (Cambridge, Massachusetts: MIT Press, 2003).
Judd, Donald, “Specific objects” Arts Yearbook 8. (1965) : 74-82
Irigaray, Luce, This Sex Which Is Not One, μτφρ. Catherine Porter. (Νέα Υόρκη: Cornell University Press, 1985).
Kabakov, Ilya, On the total installation (Bonn: Cantz verlag, 1995).
------, Tupitsyn, Margarita, Tupitsyn, Victor, “Conversation About Installation”, Art Journal 58, αρ. 4, (χειμώνας 99): 62–73.
Kachur, Lewis, Displaying the Marvelous, Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations (Cambridge, Massachusetts: MIT Press, 2001).
Klimasmith, Betsy. At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930 (Durham, New Hampshire: University of New Hampshire Press, 2005 ) , ειδικα τα κεφ. the “Tenement home” και “The Apartment as Utopia”.
Κοτιώνης, Ζήσης. Πες, πού είναι η Αθήνα. Προβολές στην τοπογραφία της Αττικής (Αθήνα : Άγρα, 2006).
Kiaer, Christina, Imagine no Possessions. The Socialist Objects of Russian Constructivism(Cambridge, Massachusetts, London: The MIT Press, 2005).
Kiaer, Christina, « The Short life of the Equal Woman », 2009, Tate ETC Magazine, www.tate.org.uk/tateetc/issue15/russian.htm
Krauss, Eva, «Plaidoyer pour une archisculpture » L’architecture d’aujourd’ hui, 349 (Νοεμ-Δεκ. 2003): 58-63
Krauss, Rosalind. E., The Originality of the Avant–Garde and Other Modernist Myths (Cambridge, Massachusetts : The MIT Press, 1986).
---, Passages in Modern Sculpture,(Λονδίνο: Thames and Hudson, 1977).
Kwinter, Sanford, “Virtual City , or the Wiring and Waning of the World”, Assemblage 29, (Απρίλιος 1996) : 86-101.
----, Architectures of Time, Toward a Theory of the Event in Modernist Culture, (Cambridge, Massachusetts : MIT Press, 2001)
Lefebvre, Henri, Everyday Life in the Modern World (Νέα Υόρκη: Harper & Row 1971)
Leigh, Christian, “Home is where the heart is”, Flash art 145, (Μάρτιος-Απρίλιος 89).
Lessing, Gotthold Ephraim, Laokoon: Oder uber die Grenzen der Malerei und Poesie, (Βερολίνο :1766).
Loos, Adolf, Spoken into the Void, Collected Essays 1897-1900, μτφ. Jane O. Newman και John H. Smith (Cambridge, Massachusetts: MIT Press, 1982).
Λοϊζίδη, Νίκη, Απόγειο και κρίση της πρωτοποριακής ιδεολογίας ( Αθήνα: Νεφέλη, 1992).
Lippard, Lucy, Pop Art (Λονδίνο : Thames and Hudson, 1966).
Giovani Lista , ‘Εναέρια Άποψη και φουτουριστική Αεροζωγραφική: Μια μεταφυσική του χώρου» στο Η κατάκτηση του αέρα , (Θεσσαλονίκη:ΚΜΣΤ, 2003):89-115
Lyotard, J.F. “Les immateriaux”, Art & Text 17 (1985).
Mahon, Alyce “Displaying the Body, Surrealism’s Geography of Pleasure” στο Wood, Ghislaine (επιμ.) Surreal Things, Surrealism and Design (London : Victoria and Albert Museum, 2007).
Mahoney, Robert, “La révolte des objets: John Armleder et un postmortem moderne”, Artstudio 19 (Χειμώνας 1990) : 78-89.

Μαρινέττι, Μανιφέστα του Φουτουρισμού (Αθήνα: Αιγόκερος, 1987).
Massey, Ann, “The Emergence of Interior Decoration as a Profession”, Interior Design of the 20th Century, (Λονδίνο: Thames and Hudson, 1990).
Meleaf, Janine, "The House that Carrie Built: The Stettheimer Doll's House of the 1920s". Art & Design 51 (Νοεμβριος 1996) : 76-81.
Mehgham, Rod, "Inner Visions", Tate Magazine, issue 23, (2000):38-42.
Moholy–Nagy, Laszlo, Painting, Photography, Film, μετ. J. Seligman (Cambridge, Massachusetts: MIT Press, 1969).
Michelson, Annette, “Where is your rupture?” Mass Culture and the Gesamtkunstwerk” , October 56 (Καλοκαίρι 1991): 43–63.
Ντε Μικέλι, Μ. Οι πρωτοπορίες της τέχνης του εικοστού αιώνα (Αθήνα: Οδυσσέας, 1983).
Morris, Frances, Paris Post War: Art and Existentialism 1945-55, (Λονδίνο: Tate Gallery, 1993).
Morton Pat, "A visit to Womenhouse", Architecture of the Everyday, (επιμ.) Steven Harris, Deborah Berke (Νέα Υόρκη : Princeton Architectural Press, 1997): 166-179.
Miessen, Markus, “Wondering through the chasms of opportunity”, Contemporary 21, αρ. 87 (2006): 16-17.
Millet, Catherine, “Architectures de Dubuffet”, Art Press 45 (1981) : 33-37.
Mulholland, Neil, “Use your illusions”, Tate etc. αρ.4 , (Καλοκαίρι, 2005). www.tate.org.uk/tateetc/issue4/summeroflove2.htm
McNeil, Peter "Designing Women : Gender, Sexuality and the Interior Designer, c 1890-1940 Art History 17, αρ. 4, (34), (Δεκέμβριος 1994) : 631-57.
Nevins, Deborah, "The Triumph of Flora: Women and American Landscape, 1890-1935, Antiques 127 (Απρίλιος 1985) : 64-69.
Niderst, Alain, "Esthetique et materialisme a la fin du siecle", Dix-Huitieme Siecle, αρ. 24 (1992) :189-197.
Ørskou, Gitte, « Inside the Spectacle, Olafur Eliasson. Minding the world», ARoS Aarhus Kunstmuseum, (Hatje Cantz, Ostfildern-Ruit, 2004).
Ottmann, Klaus, “Jessica Stockholder”. The Journal of Contemporary Art 5 (Aνοιξη/Kαλοκαίρι 1991) : 100-107.
Παπανικολάου Mιλτιάδης (επιμ.), Πίσω από το μαύρο τετράγωνο (Θεσσαλονίκη : ΚΜΣΤ, 2002).
Parent Beatrice, «Mario Merz: Le soufle de la liberté». Artstudio 13 : 52-63.
Pollock , Griselda, « On Mary Cassatt’s reading le figaro or the case of the missing women » στο Looking back to the future eesays on art, life and death ( Amsterdam:G+B Arts International , 2001):227-273

Piano, Renzo, “Atelier Brancusi a Parigi” Ottagono 124 (Οκτώβριος 1997).
Read, Herbert, Ιστορία της Μοντέρνας γλυπτικής, μτφρ. Μ.Λαμπράκη-Πλάκα (Υποδομή, Αθήνα, 1974).
Reed, Chistopher, "Domestic Strife". Tate Modern 21 (2000) : 51-54.
Revel, Judith, “L’archive au present: pour une généalogie de l’infime”. Οmnibus, ειδικό τεύχος για Documenta X, (Οκτώβριος 97).
Romain, Antoinette Le Normand, Rodin en 1900: l'exposition de l'Alma (Παρίσι : Musée du Luxembourg, Musée Rodin, Réunion des musées nationaux, 2001).

Robinson, Joyce Henri « Hi Honey, I’m Home» : Weary (Neurasthenic) Businessmen and the Formulation of a Serenely Modern Aesthetic » Not At Home (επιμ.) Christopher Reed (Λονδίνο: Thames and Hudson, 1989) :98-112

Rosenthall, Mark, Installation Art, From Duchamp to Holzer (Munich : Prestel verlag, 2003).
Rossler, Beate, Privacies (Stanford, California : Stanford University Press, 2004).
Riley, Richard, «Μεταμόρφωση: νέες μορφές στη βρετανική τέχνη 1957-1971», στο Μεταμόρφωση, Βρετανική τέχνη της δεκαετίας του 60, (Άνδρος: Iδρυμα Βασίλη και Ελίζας Γουλανδρή, Μουσείο Σύγχρονης Τέχνης, 2005).
Sadler, Simon, The Situationist City (Cambridge, Massachusetts: ΜΙΤ Press, 1998).
Shapiro, Miriam, "Recalling Womanhouse". Women's Studies Quaterly 15 (Άνοιξη,/Καλοκαίρι, 1987): 25-30.
--- " The Education of Women as Artists :Project Womanhouse". Art Journal 31 (Άνοιξη 1972): 268-270.
Shapiro, Laura, Something from the Oven: Reinventing Dinner in 1950s America (Νέα Υόρκη: The Viking Press, 2004
Shelley, Rice, Inverted Odysseys: Claude Cahun, Maya Dern, Cindy Sherman, (Cambridge, Massachusetts: The MIT Press, 1999)
Solnit, Rebecca, Wanderlust A History of Walking (Λονδίνο: Verso, 2001).
Spigel, Lynn, “The suburban Home Companion: Television and the Neighborhood Ideal in Postwar America,”
---, “Installing the television set: Popular Discourses on Television and Domestic Space 1948-1955”. Camera Obscura 16 (Μάρτιος 1988) : 11-48
Staniszewski, Mary Anne, The Power of Display: A History of Exhibition Installations at the Museum of Modern Art (Cambridge, Mass.: MIT Press, 1998)
Stephen Philips “Introjection and Projection : Frederick Kiesler and his dream machine” στο Mical, Thomas (επιμ.) Surrealism and architecture, (London : Routledge, 2005):140-155
Stewart, Susan, On longing, narratives of the miniature, the gigantic, the souvenir, the collection, (Durham: Duke University Press, 1993)
Sykora, Katharina “Merchandise Temptress : The surrealist Enticements of the Display Window” στο Grunenberg, Chrιstoph, Hollein Max (επιμ.), Shopping. A Century of Art and Consumer Culture, Schirn Kunstahalle Frankfurt και Tate Liverpool (Frankfurt , Liverpool :Hatje Kantz Publishers, 2002) .
Tabart, Marielle, Monod-Fontaine, Isabelle, Brancusi Photographe (Παρίσι : M.N.A.M, Centre G.Pompidou , 1979).
Taylor, Brandon, The Art of Today, (Λονδίνο: Everyman Art Library,1995).
Tiersten, Lisa, "The Chic Interior and the Feminine Modern: Home decorating as High Art in Turn-of-the Century Paris”, Not At Home, (επιμ) C.Reed, (London : Thames and Hudson, 1989):18-32.

Τροβά, Βασω (επιμ.), Από ποια πλευρά του τοίχου ; Ζητήματα φύλων στο σχεδιασμό του Χώρου (Βόλος: Πανεπιστήμιο Θεσσαλίας, 2008).
Τουρνικιώτης, Παναγιώτης, Ιστοριογραφία της μοντέρνας αρχιτεκτονικής (Αθήνα: Αλεξάνδρεια, 2002).
---------, «Τα μνημεία και τ’αυτοκίνητα στο Vers une architecture του Le Corbusier», Χρονικά Αισθητικής, τομ.37-38 (1997-1998):85-98.
---------, “Ιδεαλισμός και ορθολογισμός, η αντίληψη της αρχιτεκτονικής του le Corbusier” , Δελτίο Συλλόγου Αρχιτεκτόνων, αρ. 16 (Ιανουάριος –Φεβρουάριος 1988):43-47.
Tsutsui, William, Godzilla On My Mind: Fifty Years of The King of Monsters (Λονδίνο : Palgrave Macmillan, 2004).
Umbro, Apollonio, Futurist Manifestos (Λονδίνο: Thames and Hudson, 1973).
Van Zeijl, Gerard, The Architecture of Dwelling : A History of a(ir)rationality Bulwark, Dwelling as Figure of Thought, (επιμέλεια Hans Cornelissen) (Amsterdam : SUN, 2005): 103-129.
Vidler, Antony, The Architectural Uncanny, Essays in the Modern Unhomely (Cambridge, Massachusetts: MIT Press, 1992).
---, Warped Space: Art Architecture, and Anxiety in Modern Culture (Cambridge, Massachusetts : MIT Press, 2000).
---, “Splitting the difference”. Artforum, (Ιουν.2003) : 35-36.
Wakefield, Neville «Yucatan is Elsewhere, On Robert Smithson's Hotel Palenque». Parkett 43 (1995) : 133
Weil, B., “Remarks on Installations and Changes in Time Dimensions”, Flash Art 162 Vol. XXV (Ιανούαριος/Φεβρουάριος 1992) : 104-109
Whiting, Cecile, A Taste for Pop,(Cambridge: Cambridge University Press, 1997).
Widdis, Emma, Visions of a New Land, (New Haven και Λονδίνο:Yale University, 2003).
Ghislaine Wood, ”The Illusory Interior” στο Wood, Ghislaine (επιμ.) Surreal Things, Surrealism and Design (London : Victoria and Albert Museum, 2007):39-57.