Monday, December 9, 2013

European contextualising in analytical sociology and ethnographical representation on history and the present


Remco Torenbosch, European contextualising in analytical sociology and ethnographical representation on history and the present’ (studio view), 2011


The European flag; originally designed by Arsène Heitz (a French draughtsman, born in Strasbourg and worked at the Council of Europe) and Paul Lévy (a Belgium born Jewish Holocaust survivor who worked for many years as Director of Information at the Council of Europe) was presented in 1955 at The Council of Europe in Strasbourg.

In the physical sense, the European blue colour functions as a monochrome within a modernist tradition with its purity laws, it’s longing for transcendence and an optimistic believe in the utopian potential. Simultaneously in a psychological sense the blue fabric functions as a blue-screen (chroma key, used in the TV and movie industry) where the broad and critical thoughts about Europe and the European Union can be projected on, an idea that in both cases is a parallel to the so-called ‘European collective thought’. Fundamental to this research is displaying the monochromes as ethnographical documents that are mapping the economic and social changes of many local communities by embodying an ethnographic and sociological value as remnants from the various disappearing or already disappeared textile industries of Europe.

The research ‘European contextualising in analytical sociology and ethnographical representation on history and the present’ started at the end of 2011. Components of this research are shown in the solo exhibition EUROPA at GAMeC - Museum of Modern and Contemporary Art in Bergamo, Italy. And in the group exhibition Autumn of Modernism curated by Lorenzo Benedetti and took place at De Vleeshal and at the Temporary Gallery in Cologne, Germany.

The flag of Europe consists of a circle of 12 golden (yellow) stars on an azure background. It is the flag and emblem of the Council of Europe (CoE) and the European Union (EU). It is also often used to indicate eurozone countries, and, more loosely, to represent the continent of Europe or the countries of Europe independent of any of these institutions. The number of stars does not vary according to the members of either organisation as they are intended to represent all the peoples of Europe, even those outside the EU, but inside the CoE. The flag was designed by Arsène Heitz and Paul Lévy in 1955 for the CoE as its symbol, and the CoE urged it to be adopted by other organisations. In 1985 the EU, which was then the European Economic Community (EEC), adopted it as its own flag (having had no flag of its own before) at the initiative of the European Parliament. The flag is not mentioned in the EU's treaties, its incorporation being dropped 
along with the European Constitution, but it is formally adopted in law. Despite its being the flag of two separate organisations, it is often more associated with the EU due to the EU's higher profile and heavy usage of the emblem. The flag has also been used to represent Europe in sporting events and as a pro-democracy banner outside the Union.[5] It has partly inspired other flags, such as those of other European organisations and those of states where the EU has been heavily involved (such as Bosnia and Herzegovina and Kosovo).