Beautiful South

 

Apollo e Dafne 

Wood, Acrylic, oil, gesso, modelling clay 

200  x 89 x 7 cm 

 

 

 

Following an initiative of the King George Hotel, the group exhibition “beautiful south” will be hosted in its lobby from 20 May till 26 June. The show will highlight the dual identity of the hotel as one of the oldest hotels and meeting points of Athens and at the same time as one of the spaces that attempts to bridge the traditional with the contemporary.

 

The selection of the artworks is based on works that belong to private collections and subsequently, on works from a selection of young Greek artists that play a significant role in the scene.  This would be the first attempt to exhibit NFT artworks in such an environment in Greece and will be a great addition to the more traditional mediums - such as paintings and sculptures - that will be presented.

 

As the title implies - beautiful south - the main topic of the exhibition is the topos that we are interacting with. The south is a place which stimulates emotions, that supports a sense of freedom (through its natural surroundings). Through a pluralistic selection of works, the show tries to unify and facilitate, attempts to build bridges and proposes a better understanding of contemporary art.

 

A one-day symposium on the relationship between art and technology will take place. Andrea Lissoni, director of Haus Der Kunst in Munich, and Miltos Manetas, a distinguished multimedia artist, will play the key role in the symposium. More information will follow soon. 

 

with works by Giannis Adamakos, Akrithakis, Olive Allen, Margarita Bofiliou, Maria Georgoula, Giannis Gkizis, Dionisis Kavallieratos, Paul McCarthy, Maro Michalakakou, Roila Mpouzea, Albert Oehlen, Maria Papadimitriou, Malvina Panagiotidi, Tasos Paulopoulos, Sofia Petropoulou, Yorgos Stamkopoulos, Erik Steinbrecher, Nikos Tranos , Kostis Velonis

 

Opening: 20 May, 7:30 pm – 10 pm

Duration: 20 May - 26 June

Chaplinesque

 

We make our meek adjustments,

Contented with such random consolations

As the wind deposits

In slithered and too ample pockets.

 

For we can still love the world, who find

A famished kitten on the step, and know

Recesses for it from the fury of the street,

Or warm torn elbow coverts.

 

We will sidestep, and to the final smirk

Dally the doom of that inevitable thumb

That slowly chafes its puckered index toward us,

Facing the dull squint with what innocence

And what surprise!

 

And yet these fine collapses are not lies

More than the pirouettes of any pliant cane;

Our obsequies are, in a way, no enterprise.

We can evade you, and all else but the heart:

What blame to us if the heart live on.

 

The game enforces smirks; but we have seen

The moon in lonely alleys make

A grail of laughter of an empty ash can,

And through all sound of gaiety and quest

Have heard a kitten in the wilderness.

 

 Halt Crane, 1933

Schindler House: 100 Years in the Making

 

Photographer Unknown, “Construction of the Schindler House using the Slab-Tilt process,” 1922. Courtesy of Art, Design & Architecture Museum, University of California, Santa Barbara

 

Schindler House: 100 Years in the Making emphasizes acts of making, unmaking, and remaking carried out by artists, architects, historians, writers, organizers, and cultural practitioners that have constituted the house and its mythos over this century. Designed and built by 1922, the house was in its first instantiation a radical proposition for modern collective dwelling in a minimal existence—a campsite enclosed by concrete, glass, and redwood. But the house was also constantly in flux, painted, carpeted, curtained, dismantled, reconstructed, excavated, and reimagined. The house’s experimental promise, first put forth now one hundred years ago, lives on today. 

 

Schindler House: 100 Years in the Making guides visitors through Schindler’s cooperative dwelling for two couples, built for himself, his wife Pauline, and their friends Clyde and Marian Chace. Each studio hosts a gentle timeline of landscape and property, construction and maintenance, guests (invited and otherwise) and domesticity, and preservation and pedagogy. Thematic topics are uncovered by various contributors, including historical and archival documents from Reyner Banham, Bernard Judge, Esther McCoy, and R.M. Schindler from the collections of the UCSB Architecture & Design Collections, Los Angeles Times, Long Beach Press Telegram, UC Berkeley Collections, UCLA Young Research Library Special Collections, UCLA Department of Architecture & Urban Design, Archives of American Art at the Smithsonian Institution, Southern California Institute of Architecture Media Archive, Architectural Association Photo Library, and USC Undergraduate Architecture Program. 

Artists and contributors to the exhibition include:

Carmen Argote,Fiona Connor,Julian Hoeber,Kathi Hofer,stephanie mei huang,Andrea Lenardin Madden,Renée Petropoulos,Gala Porras-Kim,Stephen Prina,Jakob Sellaoui, Peter Shire

 

With an emphasis on process over finality, the exhibition incorporates a rotating vitrine which accommodates the display and interpretation of new materials that emerge during the run of the show. Materials on display from the collections of the UCSB Architecture & Design Collections, Los Angeles Times, Long Beach Press Telegram, UCLA Young Research Library Special Collections, UCLA Department of Architecture & Urban Design, Historic American Buildings Survey (HABS) collection at the Library of Congress, National Parks Service, Southern California Institute of Architecture Media Archive, Architectural Association Photo Library, and USC Undergraduate Architecture Program will be on view.

The exhibition is complemented by summer-long programming and events including seminars, lectures, reading groups, benefit events, edible performances, in-person curator-led tours, and asynchronous audio tours.

 

 

 

SAT, MAY 28, 2022-  SUN, SEP 25, 2022

 

https://www.makcenter.org/exhibitions/centennial

Laughing Clowns

 

 

Βιβλιογραφία, σημειώσεις 

 

Τέχνη στο συγκείμενο (Art in context ) 

Η σχολή του Slapstick/ Slapstick School

ΑΣΚΤ -Χειμερινό εξάμηνο/ Εαρινό εξάμηνο

Αμφιθέατρο νέας βιβλιοθήκης,  Πειραιώς 256

Κωστής Βελώνης

 

 

Adorno, Theodor. Αισθητική Θεωρία.  Mτφρ. Λευτέρης Αναγνώστου, Αθήνα :  Αλεξάνδρεια, 1989. 

 

Adorno, Theodor. “Τζαζ η Αιώνια Μόδα” στο Αντόρνο, Λόβενταλ, Μαρκούζε, Χορκχάιμερ, Τέχνη και μαζική κουλτούρα, επιμ.κειμένων, μτφρ. Ζήσης Σαρίκας, Αθήνα : Ύψιλον 1984. 

 

https://www.scribd.com/document/342903988/Αντόρνο-Τζαζ-η-Αιώνια-Μόδα

http://eranistis.net/wordpress/2017/03/26/adorno-jazz/

 

Borges, Jorge Luis. «Η σφαίρα του Πασκάλ», στο  Οι Μεταμορφώσεις της Χελώνας. Μτφρ. , Γ. Δ, Χουρμουζιάδης, Αθήνα : Εκδόσεις Ύψιλον, 1982.

 

Bishop, Lloyd.  “Michaux's Clown." The French Review, Vol. 36, No. 2 (December 1962 ):152-157. 

Burke, Melanie. “Understanding Coulrophobia: A Fear of Clowns.” Healthline, September 20, 2019.https://www.healthline.com/health/mental-health/fear-of-clowns

Coulson, Shea, “Funnier than Unhappiness: Adorno and the Art of Laughter.” New German Critique, No. 100, Arendt, Adorno, New York, and Los Angeles (Winter, 2007) : 141-163. https://www.jstor.org/stable/pdf/27669190.pdf?seq=1

Diderot. Ανηψιός του Ραμώ. Μτφρ. Νάγια Γεωργίου, Αθήνα : Καστανιώτης, 2002.

 

Drábek, Pavel, “What is Commedia dell'Arte Today?” Early Theatre: A Journal associated with the Records of Early English Drama, Volume 22, Number 2 (2019) : 199-216 (Review) https://muse.jhu.edu/article/746518

 

Drusi, Ricardo, Commedia dell'arte in context  (Proof), Popular Traditions, Carnival, Dance, 2018.

https://www.academia.edu/38874203/Commedia_dellarte_in_context

 

 

Grotjahn, Martin. Beyond Laughter, New York: McGraw-Hill, 1957.

 

Jürgens, A.-S. (2014): “The Joker, a neo-modern clown of violence”. Journal of Graphic Novels and Comics5/4  (2014)  : 441–454. 

Freud, Sigmund.  Το ευφυολόγημα και η σχέση του με το ασυνείδητο / Το Χιούμορ. Μτφρ. ΛίναΣιπητάνου, Γιώργος Σαγκριώτης, Αθήνα :  Πλέθρον,  2009. 

 

Handelman, Don, "The Ritual-Clown: Attributes and Affinities," Anthropos 76 (1981): 321–370.

https://www.researchgate.net/publication/262378751_The_Ritual_Clown_Attributes_and_Affinities/link/0deec5378d27fe3a85000000/download

Handelman, Don, Clowns

https://www.encyclopedia.com/literature-and-arts/performing-arts/theater/clown

 

Hall, Mordaunt .THE SCREEN; The Clown's Revenge  Nov. 10, 1924.

https://www.nytimes.com/1924/11/10/archives/the-screen-the-clowns-revenge.html

 

Hood, Amy, Poe-Inspired Prints by Ensor Join Research Institute’s Collection

https://blogs.getty.edu/iris/poe-inspired-prints-by-ensor-join-research-institutes-collection/

Hugo, Victor. Ο άνθρωπος που γελά. Μτφρ, Ντορέτα Πέππα, Αθήνα : σύγχρονη εποχή, 2013.

 

Friedman, Julia. “Hour of the Clown.” The New Criterion, Vol.39, n.9, May 2021

https://newcriterion.com/blogs/dispatch/hour-of-the-clown

 

Kosik, Κarel. Η κρίση της νεωτερικότητας.  Μτφρ. Νάσος Γκόρτσος, Αθήνα :Ψυχογιός, 2003.

 

Maymard, Marika, The Clown

https://cirque-cnac.bnf.fr/en/clown

 

Murphy, Peter F. “Living by His Wits: The Buffoon and Male Survival.”  Signs , Vol. 31, No. 4, Summer (2006) :1125-1142. 

 

Merchant, Moelwyn. Η Κωμωδία. Mτφρ. Αριστέα Παρίση,  Αθήνα : Ερμής, 1972.

Newby, Richard. “Joker ‘The Man Who Laughs' and the Birth of a Villain”.  Hollywood reporter, Oct. 3, 2019. 

https://www.hollywoodreporter.com/heat-vision/joker-man-who-laughs-birth-a-villain-1245195

 

Nauman, Bruce. “Breaking the Silence : an interview with Bruce Nauman”, by Joan Simon, Artnews, Sept. 1, 1998. 

https://www.artnews.com/art-in-america/features/breaking-silence-interview-bruce-nauman-63570/

 

Παπαγιώργης, Κωστής. Τα γελαστά ζώα. Αθήνα : Καστανιώτης, 2004.  

Περούλης, Κώστας. «Τρελός, Μπουφόνος, Κλόουν: Πρόδρομοι, σχηματισμοί της Λογοτεχνίας και του υποκειμένου της Νεωτερικότητας. Το Παράδειγμα των Shakespeare, Diderot και Beckett.» Μεταπτυχιακό δίπλωμα, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης, 2009.

http://ikee.lib.auth.gr/record/112471/files/ΠΕΡΟΥΛΗΣ.pd f

Poe, Edgar Allan. «Ο σαλταπήδας» στο  Αλλόκοτες ιστορίες. Mτφρ. Κοσμάς Πολίτης, Αθήνα : εντροπία, 1995. 

 

Poe, Edgar Alla., Hop –Frog  (1849)

https://poestories.com/read/hop-frog 

Pomerance, Murray.
The Last Laugh: Strange Humors of Cinema. Wayne State University Press, 2013.
Project MUSE.muse.jhu.edu/book/22428. 

Sherman, Cindy. “Studio: Cindy Sherman.” Interview by Betsy Berne, Tate Magazine, issue 5.

https://www.tate.org.uk/art/artists/cindy-sherman-1938/studio-cindy-sherman

 

 

Willeford, William. The Fool and His Sceptre. London : Edward Arnold, 1969.

 

Woolfe, Sam. “We Must Imagine Sisyphus Laughing: Camus, Absurdity, and the Existential Trickster.” https://www.samwoolfe.com/2021/03/sisyphus-camus-absurdity-heroic-jester.html

 

 

Zucker, Wolfgang M., "The Clown as the Lord of Disorder." in Holy Laughter, edited by M. Conrad Hyers, New York, 1969.

 

 

Žižek, Slavoj.  “More on Joker: From Apolitical Nihilism to a New Left, or Why Trump is no Joker.”,  thephilosophicalsalon.com, 11 Nov. 2019

https://thephilosophicalsalon.com/more-on-joker-from-apolitical-nihilism-to-a-new-left-or-why-trump-is-no-joker/

 

Ψευδο-Ιπποκράτης. Το γέλιο και η τρέλα. Επιστολές.  Μτφρ. Αλόη Σιδέρη; επιμ. Yves Hersant. Αθήνα :  Άγρα, 1999.

 

 

 Films /Performances 

 

(-!-) Bozo the Clown, Frank Avruch

https://www.youtube.com/watch?v=IwrMts2VnFM,

 

McDonald's Commercials 1960's Collection

https://www.youtube.com/watch?v=TCyNIKA-uhs

 

Bruce Nauman - Clown torture ,1984

https://www.youtube.com/watch?v=U6WPy1a6T9I

Clown Torture - Bruce Nauman, 1987

https://www.youtube.com/watch?v=YorcQscxV5Y

Clown Torture - Bruce Nauman, 1987

https://www.youtube.com/watch?v=DDoMei4pXjk

Bruce Nauman - Six Sound Problems / Clown Torture

https://www.youtube.com/watch?v=WDfJKvhNB2E

 

Cindy Sherman, "Why are they a clown?"

https://www.youtube.com/watch?v=tCkSQOaCf7s

Veronica Simpson, Interview with Claire Ashley 

 “I ‘m not an artist who is scared about the word entertainment”  Studio International · Mar 9, 2021

https://www.studiointernational.com/index.php/claire-ashley-interview-im-not-an-artist-who-is-afraid-about-the-word-entertainment-inflatable-sculptures

 

 

The Man Who Laughs  dir. By Paul Leni (1928)

https://www.youtube.com/watch?v=2KhzpkSDwHA

https://www.youtube.com/watch?v=90WCUZq6pAY

He Who Gets Slapped dir. by Victor Sjöström (1924) 

https://archive.org/details/HeWhoGetsSlapped1924 VictorSjstrmUsa

https://archive.org/details/mymovie_20190920

https://www.youtube.com/watch?v=GtiELTmFSN8

"Hop-Frog: A Tale of Revenge" Edgar Allan Poe's "Hop-Frog: A Tale of Revenge"

https://www.youtube.com/watch?v=CmDvWJzL4Zc  

 

Batman (1989) | Joker Takes Over the Gotham Museum | Music by Prince | Warner Bros. Entertainment

https://www.youtube.com/watch?v=ZGFbd-zF_Cg

 

 

Now I'm always smiling | The Dark Knight, 2008 

https://www.youtube.com/watch?v=koADXiKl8_s

 

 

Joker Laughing On Bus Scene, 2019 

https://www.youtube.com/watch?v=1CuTv9Y0fLc

 

 

Lots of Laughs, Joker, 2019

https://www.youtube.com/watch?v=VGHwwY08xiU

The Ring

The Ring

 

I am learning to speak, again.
Astral, spectral, half-in-dream.
I make my way through the jig-
saw of a cruel and perfect grammar.
Or, just barely. And I have stopped
making work that can’t disappear.
But the music is too much for me. I can take it
but only in minute and fixed increments.
Baby food in a spoon, measured in bite-fulls, 
or a capsule I swallow only in daylight, 
mid-day after classes. I take it, a sweet 
obscene ointment, cosmetic, or
medicine. The most nourishing.
delicate gold capsule of infinite
emollient and sorrow, I swallow
the power and it enters me.
Like ink spilling, or voracious,
an appetite, and all-consuming.
A memory or a snapshot, its flash-light, 
illuminating, it takes me, and then
it erases everything.

 

Cynthia Cruz

Leviathan (Clapperboard)

Leviathan (Clapperboard) 2021 

Wood, acrylic  

24 x 30 x 4 cm 

 

Pierrot le fou 

 

 

Βιβλιογραφία, σημειώσεις

Bibliography / REF/ Works Cited / Films / Performances 

 

Τέχνη στο συγκείμενο (Art in context ) 

Η σχολή του Slapstick/ Slapstick School

ΑΣΚΤ -Χειμερινό εξάμηνο/ Εαρινό εξάμηνο

Αμφιθέατρο νέας βιβλιοθήκης,  Πειραιώς 256

Κωστής Βελώνης

 

 

Baudelaire, Charles. Περί της ουσίας του γέλιου και γενικά περί του κωμικού στις πλαστικές τέχνες.  Μτφρ. Λιζυ Τσιριμώκου, Αθήνα : Αγρα, 2000.   

 

Cignitti, Annalisa P. «Pierrot Iconography 1880- 1980.» Rocaille, 15 Φεβ. 2015. 

http://www.rocaille.it/pierrot-iconography/

 

Despot, Adriane. “Jean-Gaspard Deburau and the Pantomime at the Théâtre des Funambules.” Educational Theatre Journal, Vol. 27, No. 3, Popular Theatre (October 1975: 364- 376
.

Eliot, T. S. «Το ερωτικό τραγούδι του Ι. Άλφρεδ Προύφροκ». Μτφρ.-σχόλια-επίμετρο. Τάκης Καγιάλης Περ. "Ποίηση", τχ. 3 (1994) :11-32.

https://www.academia.edu/8630377/T._S._Eliot_Το_ερωτικό_τραγούδι_του_Ι._Άλφρεδ_Προύφροκ_Μετάφραση_

 

Frankel, Susannah. “Inside Martin Margiela's All-White Maison.”

Another, April 28, 2015.

https://www.anothermag.com/fashion-beauty/7363/inside-martin-margielas-all-white-maison

 

Ιερωνυμάκη, Θάλεια. Ο Δανδής και Πιερότος. Μαλακάσης, Φιλύρας, Καρυωτάκης. Αθήνα :  Σμίλη, 2019.

 

Κουκουμάκας, Κώστας. «Οι ζητιάνοι της σιωπής». Τα ΝΕΑ

31 Ιουλίου 2009. 

https://www.tanea.gr/2009/07/31/greece/oi-zitianoi-tis-siwpis/

 

 

Κορφής,  Τάσος.  Ρώμος Φιλύρας - Συμβολή στη ζωή και στο έργο του, Αθήνα: Πρόσπερος, 1992.

 

 

Laforgue, Jules. Θρηνωδία του λόρδου Πιερότου: και άλλα ποιήματα.  Mτφρ. Γιωργος Κοροπούλης , Αθηνα : Sestina , 2017. 

 

Laforgue, Jules.  «Ἄλλη Θρηνωδία τοῦ Λόρδου Πιερότου».

https://www.monocleread.gr/2016/09/21/jules-laforgue-ἄλλη-θρηνωδία-τοῦ-λόρδου-πιερρότ/

Laforgue, Jules. «Θρηνωδία στη Σελήνη της επαρχίας.»  

https://thepoetoftheuniverse.wordpress.com/2013/01/25/ζυλ-λαφοργκ/

Malin, Stephen. “Mime.”

https://kostisvelonis.blogspot.com/search?q=Stephen+Malin

 

Mallon, Jackie, We Margiela, 19 April 2018, fashion United

https://fashionunited.uk/news/culture/film-review-we-margiela/2018041929178

 

Moréas Jean, Manifeste du symbolisme, Le Figaro, 18 septembre 1886 

https://www.berlol.net/chrono/chr1886a.htm

 

Παπακώστας,  Γιάννης. «Ένας λυρικός της αντισυμβατικότητας.» TO BHMA, 25 Νοεμβρίου 2008

https://www.tovima.gr/2008/11/25/opinions/enas-lyrikos-tis-antisymbatikotitas/

 

Πολυχρονάκης, Δημήτρης. Πιερότοι ποιητές στην εποχή της παρακμής. Το γέλιο ως επιθανάτιος ρόγχος. Αθήνα: Αλεξάνδρεια, 2015.

 

Ross, Christine. The Aesthetics of Disengagement Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006. 

 

Roudinesco, Elisabeth. “Pierre Fédida, Des bienfaits de la dépression, éloge de la psychothérapie.” JEP, n.14 , (Winter-Spring 2002)

http://www.psychomedia.it/jep/number14/fedida.htm

 

Σαχτούρης, Μίλτος. «Ο βυθός.» 

 http://users.uoa.gr/~nektar/arts/poetry/miltos_saxtoyrhs_poems.htm

 

Stachelhaus, Heiner. ”Le rire de Joseph Beuys,” στο Joseph Beuys , Paris : Centre Pompidou, 1994.

 

Storey, Robert F. Pierrot: A Critical History of a Mask. Princeton: Princeton U.P, 1987. 

https://muse.jhu.edu/book/34208

Storey, Robert F.
Pierrots on the Stage of Desire: Nineteenth-Century French Literary Artists and the Comic Pantomime, Princeton: Princeton U.P, 2014. 

https://muse.jhu.edu/book/33641. 

Schuster, Aaron. “A Philosophy of Tickling. A sensation between physics and metaphysics”. Cabinet Magazine, issue 50, Summer 2013.

https://www.cabinetmagazine.org/issues/50/schuster.php

 

Sund, Judy. “Why So Sad?  Watteau's Pierrots.” The Art Bulletin, Vol. 98, No. 3 (September 2016): 321-347.

Tezuka, Miwako, “Experimentation and Tradition: The Avant-Garde Play Pierrot Lunaire by Jikken Kōbō and Takechi Tetsuji.” Art Journal, Vol. 70, No. 3 (Fall 2011): 64-85 https://www.jstor.org/stable/41430744 

Τσιάτσιου, Ανδρομάχη. «Φιλολογική έκδοση των ελληνόγλωσσων νεανικών ποιημάτων του Διονυσίου Σολωμού» , Διπλωματική εργασία, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης.

  http://ikee.lib.auth.gr/record/122831/files/GRI-2010-5004.pdf

 

Gallagher, Paul. “Pierrot in Turquoise: David Bowie ‘s Little –known first theatrical appearance, 1968.” Dangerous Minds, 01.11.2016.

 

https://dangerousminds.net/comments/pierrot_in_turquoise_david_bowies_little-known_first_theatrical_appearance_

 

 

Films/Performing Arts 

 

Israeli Chamber Project | Two Clowns: Pierrot Meets Petrushka

https://www.youtube.com/watch?v=x42PyU3SM6U

https://www.youtube.com/watch?v=eH7OnSOHBWg

Ugo Rondinone, let's start this day again, 2017  

Contemporary Arts Center in Cincinnati

https://www.youtube.com/watch?v=tprEhQiXoEg

 

Clowns in Hamburger Bahnhof (from Ugo Rondinone)

https://www.youtube.com/watch?v=nKCjICaCnI0

 

David Bowie, Ashes to Ashes (1980)

https://www.youtube.com/watch?v=HyMm4rJemtI

 

Lindsay Kemp and David Bowie in Pierrot in Turquoise (1970)

https://vimeo.com/304620226

 

Rabbit's Moon, Kenneth Anger, 1950 / 1979 version

https://www.youtube.com/watch?v=gIyxIhpLGQk

 

Les Enfants du Paradis,  Marcel Carné,1945

Baptiste pickpocket scene

https://www.youtube.com/watch?v=0ABzfKzwA7g

 

 

The Tramp, Charlie Chaplin,  1915

https://www.youtube.com/watch?v=BGLVi9XelFE

 

Pierrot Le Fou - Jean-Luc Godard, 1965 

https://www.youtube.com/watch?v=TVvhJrrgfs0

Pierrot le fou l'art la mort

https://www.youtube.com/watch?v=CXRuSBdC-y8

Le Pierrot, autrefois dit "Gilles" de Watteau - Musée du louvre

https://www.youtube.com/watch?v=wd4VCRclDPo

 

SpongeBob SquarePants “Don't Feed the Clowns” (2018) 

https://www.dailymotion.com/video/x7lceqa

Klaus Nomi, The Cold Song

https://www.youtube.com/watch?v=g7ZAXtUfDm4

 

Klaus Nomi - Simple Man - 1982

https://www.youtube.com/watch?v=NEkEI1SnZxU

 

We Margiela, dir. By Mint office Netherlands, 2017

https:// https://www.youtube.com/watch?v=Dzlymg8Yzzg

 

Ρώμος Φιλύρας- Πιερότος

Διαβάζει ο Γιώργος Κοροπούλης

https://www.youtube.com/watch?v=usn67h8WJtg