#fighters #destefoundation#nhmuseumofathens #kostisvelonis#sculpture #funerary #masks #hydra #island#hydraslaughterhouse #greekrevolution #199 #exhibition #200yearsgreekindependence
Photo credit @chloeakrithaki
Masonry for Blossoms, 2019
Ceramics, wood, acrylic, oil
#sculpture #masonry #blossoms#kostisvelonis #building
Βιβλιογραφία, σημειώσεις
Bibliography / REF/ Works Cited / Films / Performances
Adorno, Theodor. “Τζαζ η Αιώνια Μόδα” στο Αντόρνο, Λόβενταλ, Μαρκούζε, Χορκχάιμερ, Τέχνη και μαζική κουλτούρα, επιλογή κειμένων, μτφρ. Ζήσης Σαρίκας, Αθήνα : Ύψιλον 1984
https://www.scribd.com/document/342903988/Αντόρνο-Τζαζ-η-Αιώνια-Μόδα
http://eranistis.net/wordpress/2017/03/26/adorno-jazz/
Berne, Betsy. Studio: Cindy Sherman ( interview) Tate Magazine, issue 5.
https://www.tate.org.uk/art/artists/cindy-sherman-1938/studio-cindy-sherman
Borges, Jorge Luis. «Η σφαίρα του Πασκάλ», στο Οι Μεταμορφώσεις της Χελώνας, μτφρ. Γ. Δ, Χουρμουζιάδης, Αθήνα : Εκδόσεις Ύψιλον, 1982
Bishop, Lloyd. Michaux's "Clown", The French Review, Vol. 36, No. 2 (Dec., 1962), pp. 152-157
Coulson, Shea, Funnier than Unhappiness: Adorno and the Art of Laughter, New German Critique, No. 100, Arendt, Adorno, New York, and Los Angeles (Winter, 2007), pp. 141-163 https://www.jstor.org/stable/pdf/27669190.pdf?seq=1
Diderot, Ανηψιός του Ραμώ, μτφρ. Νάγια Γεωργίου, Αθήνα : Καστανιώτης, 2002
Drábek, Pavel, What is Commedia dell'Arte Today? Early Theatre: A Journal associated with the Records of Early English Drama, Volume 22, Number 2, 2019, pp. 199-216 (Review) https://muse.jhu.edu/article/746518
Drusi, Ricardo, Commedia dell'arte in context (Proof), Popular Traditions, Carnival, Dance, 2018
https://www.academia.edu/38874203/Commedia_dellarte_in_context
Grotjahn, Martin. Beyond Laughter, New York: McGraw-Hill, 1957
Freud, Sigmund, Το ευφυολόγημα και η σχέση του με το ασυνείδητο / Το Χιούμορ, μτφρ. Σιπητάνου, Λίνα, Σαγκριώτης, Γιώργος, Αθήνα : Πλεθρον, 2009.
Handelman, Don, "The Ritual-Clown: Attributes and Affinities," Anthropos 76 (1981): 321–370.
Handelman, Don, Clowns
https://www.encyclopedia.com/literature-and-arts/performing-arts/theater/clown
https://www.nytimes.com/1924/11/10/archives/the-screen-the-clowns-revenge.html
https://blogs.getty.edu/iris/poe-inspired-prints-by-ensor-join-research-institutes-collection/ Hugo, Victor. Ο άνθρωπος που γελά ( L'Homme qui rit, 1869 ), μτφρ, Ντορέτα Πεππα, Αθήνα : σύγχρονη εποχή, 2013
Kosik Κarel. Η κρίση της νεωτερικότητας, μτφρ. Νάσος Γκόρτσος, Αθήνα :Ψυχογιός, 2003
Murphy, Peter F., Living by His Wits: The Buffoon and Male Survival, Signs , Vol. 31, No. 4 (Summer 2006), pp. 1125-1142
Merchant, Moelwyn. Η Κωμωδία, μτφρ. Αριστέα Παρίση Αθήνα : Ερμης, 1972
https://www.hollywoodreporter.com/heat-vision/joker-man-who-laughs-birth-a-villain-1245195
Παπαγιώργης, Κωστής. Τα γελαστά ζώα, Αθήνα : Καστανιώτης, 2004.
Περούλης, Κώστας. Τρελός, Μπουφόνος, Κλόουν:Πρόδρομοι, σχηματισμοί της Λογοτεχνίας και του υποκειμένου της Νεωτερικότητας. Το Παράδειγμα των Shakespeare, Diderot και Beckett.
http://ikee.lib.auth.gr/record/112471/files/ΠΕΡΟΥΛΗΣ.pdf
Poe, Edgar Allan. «Ο σαλταπήδας’, Αλλόκοτες ιστορίες, μτφρ. Κοσμάς Πολίτης, Αθήνα :εντροπία, 1995.
Poe, Edgar Allan. Hop –Frog (1849)
https://poestories.com/read/hop-frog
Pomerance, Murray.
The Last Laugh: Strange Humors of Cinema. Wayne State University Press, 2013.
Project MUSE.muse.jhu.edu/book/22428.
Simon, Joan. Breaking the Silence : an interview with Bruce Nauman, Sept. 1, 1998
https://www.artnews.com/art-in-america/features/breaking-silence-interview-bruce-nauman-63570/
Willeford, William. The Fool and His Sceptre. London : Edward Arnold, 1969.
Wolfgang M. Zucker's "The Clown as the Lord of Disorder," in Holy Laughter, edited by M. Conrad Hyers (New York, 1969)
Films /Performances
(-!-) Bozo the Clown, Frank Avruch
https://www.youtube.com/watch?v=IwrMts2VnFM,
https://www.youtube.com/watch?v=TCyNIKA-uhs
https://www.youtube.com/watch?v=U6WPy1a6T9I
https://www.youtube.com/watch?v=YorcQscxV5Y
https://www.youtube.com/watch?v=DDoMei4pXjk https://www.youtube.com/watch?v=WDfJKvhNB2Ehttps://www.youtube.com/watch?v=tCkSQOaCf7s
The Man Who Laughs dir. By Paul Leni (1928)
https://www.youtube.com/watch?v=2KhzpkSDwHA
https://www.youtube.com/watch?v=90WCUZq6pAY
He Who Gets Slapped, dir. by Victor Sjöström (1924)
https://archive.org/details/HeWhoGetsSlapped1924 VictorSjstrmUsa
https://archive.org/details/mymovie_20190920https://www.youtube.com/watch?v=GtiELTmFSN8 https://www.youtube.com/watch?v=CmDvWJzL4Zc
https://www.youtube.com/watch?v=ZGFbd-zF_Cg
https://www.youtube.com/watch?v=VGHwwY08xiU
Where to begin? It’s New Year’s Eve. Dinner at a film director and an art director’s place on the Upper East Side. Roast lamb and Salad Olivier. You ask the girl sitting next to you what she wants from this year. She says she wants to make a lot of money. So does the person sat next to her, and the next person along too. This wasn’t what you expected to hear in a pandemic: that everyone planned to get rich. She’s going down South to work the strip clubs, and they’ve both become Robinhood traders.
The ball falls in Times Square. The clock ticks over. It’s a bright new year. Your ex-quant friend drives three of you down to a millionaire’s TriBeCa coke loft in his vintage red Alfa Romeo. You’re racing down Broadway with the top down and all the lights turn green for you, they glow for you. The loft’s full of artists and artworks. The evening’s hosted by your friend who used to be a designer at Celine and now couriers drugs. Plates of lines are going around. You’re handed some ecstasy, you’re talking to a Marxist on the floor, you’re introduced to a former America’s Next Top Model contestant, you’re accelerating. It’s 2021. Cryptocurrency’s exploding. DeFi (decentralised finance) in particular. Robinhood traders on r/WallStreetBets nearly take down a hedge fund. It’s Valentine’s Day and you’re alone. The European Central Bank tweets, “Roses are red, Violets are blue, We’ll keep financing conditions favourable, ’Til the crisis is through.” Cryptocurrency’s exploding again. NFTs (non-fungible tokens) in particular. The Nyan Cat meme goes for $590,000. The “ape in a fedora” CryptoPunk goes for $1.54 million. An animated gif of Trump’s bloated, naked corpse by someone called “Beeple” goes for $6.6 million, setting a new record for any Millennial artist, dead or alive. Christie’s launches a two-week sale of one of his works. It closes tomorrow and has already broken the record again. Current bid: $9,750,000. The US senate passes a $1.9 trillion relief bill. You’re in Starbucks following the floor stickers that tell you where to stand, looking at the price of each cookie, mind RACING, worrying, thinking, Hyperinflation! Michael Burry is right!
Five stylishly dressed teenage boys stroll down Prince Street extolling the US dollar’s hold over the Swiss economy. A whole other economy based on trolling, memes and network effects is appearing. Now everyone’s a day trader, everyone’s a drug dealer, everyone’s an art director for a weed delivery service, everyone might be the next top model, everywhere’s a secret coke loft, now everything can be traded or shared online; money printer, bad figurative painter, subreddit, museum gift shop, NFT minter go brrrr; it’s the first day of spring; it’s Beeplemania; images and capital have become the same thing; welcome to the total financialisation of reality!
“(Splits Adderall begrudgingly) Is the NFT soul discourse a valid thought experiment”, asksfilmmaker Charlie Curran, “or the symptom of a culture industry … enviously not understanding money dreaming up the wildest asset they can imagine pumpable?”
Before Christmas, the only uncertain-times-era art world innovations I could think of were online art fairs and anonymous Instagram callout accounts. Now more innovation has arrived, and it’s come from outside, from the spheres of online culture and cryptocurrency speculation. Crypto has its origins in a mistrust of authority in various forms, from government-backed fiat, to the banking system, to the financial industry. Now it’s also challenging art world elites.
THE DOWNWARD SPIRAL: POPULAR THINGS
by Dean Kissick
https://www.spikeartmagazine.com/articles/downward-spiral-popular-things-dean-kissick
https://www.youtube.com/watch?v=vNuAEUpcgXw
#robinsoncrusoe #mrcrusoestayedhome #adventuresofdesign #benakimuseum #literature #design##exhibition #crafts #literature #designtheory #bricolage#efficiency#economy #clumsiness #dexterity #postcolonialstudies
Επισκευασμένος κόσμος
Repairing the World
Βιβλιογραφία, σημειώσεις
Bibliography / REF/ Works Cited / Films
Allais, Lucia. Formless keepers : Kieslinger, Riegl, and the dissolution of history in Formless, Ed. Julian Rose and Garrett Ricciard, Zurich: Lars Müller, 2013, pp. 1-43
https://download-pdfs.com/v6/preview/?pid=6&offer_id=26&ref_id=fbfba72bd887c141b1dbd140B5z8stAl_d58040dd_c28f910b&sub1=64d0klfu&keyword=Garrett%20Ricciardi%20-%20Formless#
Αξελός, Κώστας. «Γιατί στρεφόμαστε προς τους προσωκρατικούς;» στο Προς την πλανητική σκέψη, Αθήνα : Εστία, 1985.
Appadurai, Arjun. “The Thing Itself,” Public Culture 18, no. 1, 2006, p.5- 21
Baudrillard, Jean. Le système des objets (Paris: Dënoel,1972)
Bateson, Patrick. Adaptability and evolution. Interface Focus 7, 2017.
https://royalsocietypublishing.org/doi/pdf/10.1098/rsfs.2016.0126
Bell, Eugenia. “Design Matters”. A roundtable discussion between six designers, Frieze, April 2011, Issue 138, p. 103, http://www.frieze.com/article/design-matters.
Βελώνης, Κωστής. “Η χρήση του ανοικτού κώδικα. Γλυπτική και σχεδιασμός εκτάκτου ανάγκης”, Αυγή, 31 Ιουλ.
http://avgi-anagnoseis.blogspot.gr/2016/07/blog-post_26.html
Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham/ London: Duke University Press, 2010.
Brand, Steward. Τhe Whole Earth Catalog. 1968-1972
https://www.openculture.com/2009/01/the_whole_earth_catalog_is_now_online.html
Connor, Steve. Taking Pity on Things. A talk given as part of the Festival of Ideas, Cambridge, 26th October 2012.
http://stevenconnor.com/pity/pity.pdf
Graham, S., Thrift, N. “Out of Order Understanding Repair and Maintenance.” Theory, Culture & Society 24(3), 2007 :1–25.
Γκουγκούλη, Κλειώ. Άνθρωποι, αντικείμενα και τεχνικές. Σύγχρονες ανθρωπολογικές προσεγγίσεις της τεχνολογίας στο Υλικός Πολιτισμός : Η ανθρωπολογία στη χώρα των πραγμάτων επιμ. Ελεάνα Γιαλούρη. Αθήνα : Εκδόσεις Αλεξάνδρεια , 2012
Hetherington, Kevin. Secondhandedness: consumption, disposal, and absent presence , Environment and Planning D: Society and Space 2004, volume 22, σ. 157- 173.
Jackson, Steven J., Rethinking Repair in Media Technologies: Essays on Communication, Materiality, and Society. Tarleton Gillespie, Pablo J. Boczkowski, and Kirsten A. Foot.(MIT Press, 2014).
Jackson, Steven J., “Material Care”
in Debates in the Digital Humanities
(ed.) Matthew, K. Gold, Lauren F. Klein, University of Minnesota Press, 2019.
https://www.jstor.org/stable/10.5749/j.ctvg251hk.41
Jencks, Charles, Silver, Nathan. Adhocism: The Case for Improvisation, London: Secker and Warburg, 1972.
Judd, Donald. Complete writings 1959-1975, (Halifax, New York: the Press of the Nova Scotia College of Art and Design University Press, New York University Press, 1975).
Κοτιώνης, Ζήσης. Ο Αναξίμανδρος στη Φουκουσιμα, Αθήνα : Καστανιώτης, 2019.
Lévi-Strauss, Claude. Αγρια σκέψη, μτφρ. Καλπουρτζή Ευα, Αθήνα : Πατάκη , 2019.
Longley, Michael, Το χταπόδι του Ομήρου και άλλα ποιήματα , εις., μτφρ. ΒλαβιανόςΧάρης, Αθήνα : Πατάκης ,2008.
https://kostisvelonis.blogspot.com/2020/10/fragment.html
Mari, Enzo “Proposta per un'Autoprogettazione” Milano : Galleria Milano, 1974.
Maestri, Leah , Wakkary, Ron. "Understanding repair as a creative process of everyday design." Proceedings of Creativity and Cognition
: 80-91. 2011
https://core.ac.uk/download/pdf/192396988.pdf
https://interestingengineering.com/if-the-universe-is-a-simulation-should-you-care
Μουτσόπουλος, Θανάσης. Ανακύκλωση-Επανάχρηση-Οικειοποίηση (Iδιοποίηση) Πενήντα χρόνια ελλαδικού Ready Made 1960-2010. Καλαμάτα : Δημοτική πινακοθήκη Καλαμάτας, 2010.
https://issuu.com/costi/docs/exhibition_of_50_years_of_greek_ready_made
Spelman, E.V.. Repair: The impulse to restore in a fragile world. Beacon Press, 2002
Solis, Brian. As Digital Darwinism Evolves, Enterprise Organizations Must Learn New Ways To Adapt And Innovate, Forbes Magazine, 2018/12/11
https://www.forbes.com/sites/briansolis/2018/12/11/as-digital-darwinism-evolves-enterprise-organizations-must-learn-new-ways-to-adapt-and-innovate/#3460fe1a1792
Solis, Brian. Digital Darwinism: How Disruptive Technology Is Changing Business for Good, Wired Magazine, 2014.
What is open Source?
https://opensource.com/resources/what-open-source
Films/ Lectures
Welcome To Lagos by Gavin Searle, 2010
https://www.youtube.com/watch?v=rkqq8xX98lQ
Christopher Johnson, Bricolage , 2010
