In
March 1912, six months before her first book of poems was published,
Amy Lowell met Ada Dwyer Russell, a formerly prominent stage actress
who was separated from her husband. During the next two years, the
pair became intimate companions, and they lived together at Sevenels,
the Lowell family mansion in Brookline, Massachusetts, for the rest
of Lowell’s life. “Ada took on the household of Sevenels,”
summarizes Honor Moore, “releasing Amy further to her poetry. . . .
To Amy’s friends and correspondents, Ada was affectionately ‘Mrs.
Russell’—to Amy, she was ‘Peter,’ becoming so integral to the
life of her writing that Amy imagined for the Sevenels driveway a
sign saying ‘Lowell and Russell, Makers of Fine Poems.’”
Russell
also coached and managed Lowell’s public readings. “The
term readings,
however, does not adequately describe the way she presented her
poems: these were theatrical events,” explains literary scholar
Melissa Bradshaw. In one of his own poems John Brooks Wheelwright
called Lowell “the Biggest Traveling One-Man Show since Buffalo
Bill caught the Midnight Flyer to Contact Mark Twain.” When she
finished a poem, the audience often didn’t know what to do, and she
would just as often demand, “Well?—Clap or hiss, I don't care
which; but for Christ’s sake do something.”
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